The Wagnerian Sublime

The second part of Patrice Chéreau's epoch-making Bayreuth "Ring" is a radical re-imaging of "Die Walküre", unprecedented in its psychological penetration. "This Wagnerian drama", says Chéreau, "which is at once classical theatre and domestic comedy, enables us to interpret the myths in terms that are both anecdotical and sublime … With Wagner one is dealing with a drama tuned virtually white-hot by the music." "Nothing ever seen before on television has given a better insight into Wagner's genius." (The New York Times)

Violin Concerto was Wetz’s final large-scale work, and is one of, if not the best work in this collection. Cast in one movement but divided into four tracks on the CD, it sounds fantastic in the capable hands of Ulf Wallin, who relishes this work’s eloquence. There isn’t a huge amount of virtuoso writing for the soloist, and soaring lyrical shapes are more of a feature. Even the cadenza moments are more like ‘monologue’ passages with the orchestra never entirely receding, but with Wetz’s harmonic richness there is a great deal to get your teeth stuck into with this concerto, and indeed few passages where you have the feeling things could move along a bit quicker.