The Who‘s 1967 album The Who Sell Out will be reissued as a seven-disc super deluxe edition box set in April. The album was originally planned by Pete Townshend and the band’s managers (Kit Lambert and Chris Stamp) as a loose concept album with jingles and commercials linking the songs. This approach was partly because the record label were demanding a new record and Townshend felt as if he didn’t have enough songs!
It's not billed that way but given the Who's productivity since their initial split in 1982, it's difficult not to view 2019's Who as the band's final album. It's only their second album in 37 years, and if it takes them another 13 years to complete a third – that's the length of time separating Who from 2006's Endless Wire – both Pete Townshend and Roger Daltrey will be well into their eighties, a seemingly unlikely age for new work by rockers. Then again, the Who have long outlived Townshend's youthful desire to die before he gets old, a fact he began to contend with during the mid-'70s, when he chronicled his middle-aged disappointment on Who by Numbers.
The Who's defining, breakthrough concept album - a full-blown rock opera about a deaf, dumb and blind boy that launched the band to international superstardom, written almost entirely by Pete Townshend is now available as a new LIMITED EDITION Super Deluxe version that that includes 4 audio discs, an 80 page hardback book and a poster…
Rushed out in 1970 as a way to bide time as the Who toiled away on their follow-up to Tommy, Live at Leeds wasn't intended to be the definitive Who live album, and many collectors maintain that the band had better shows available on bootlegs. But those shows weren't easily available whereas Live at Leeds was, and even if this show may not have been the absolute best, it's so damn close to it that it would be impossible for anybody but aficionados to argue. Here, the Who sound vicious - as heavy as Led Zeppelin but twice as volatile - as they careen through early classics with the confidence of a band that had finally achieved acclaim but had yet to become preoccupied with making art. In that regard, this recording - in its many different forms - may have been perfectly timed in terms of capturing the band at a pivotal moment in its history…