The Wicked Abdutor

Cada noventa años, doce dioses regresan como jóvenes. Los aman. Los odian. En dos años, mueren todos. Está ocurriendo ahora. Está volviendo a suceder.

Descripción de la editorial: En este volumen especial de la serie superventas de Gillen y McKelvie se reúnen historias sobre los distintos dioses del panteón, dibujadas por varios artistas de la nueva ola del cómic independiente: Kate Brown, Tula Lotay, Stephanie Hans, Leila Del Duca, Mat Lopes y Brandon Graham.

Nota editorial: Estalla la guerra de dioses.
Las maquinaciones de Ananké han llevado a la división entre los dioses de esta generación. Ahora, dos bandos claros se han creado y lo único que queda es el enfrentamiento directo.
Kieron Gillen y Jamie McKelvie vuelven a la trama principal y suben las apuestas en un volumen lleno de acción y sorprendentes revelaciones.

This stunning twelve-track collection features Pickett’s gritty soul stylings. With wonderful production and arrangements, Pickett howls classic staples including “Mustang Sally”, “Knock On Wood”, “Sunny” and “Three Time Loser”. “Mustang Sally” is included on Rolling Stone’s 500 Greatest Songs of All Time. "The Wicked Pickett" is a diverse listen, sure to please fans with its wide range of endearing ballads and up-tempo dance numbers.

"Pray for the Wicked" is the 6th studio album by American rock band Panic! at the Disco. The album was released on June 22, 2018. on Fueled by Ramen and DCD2. It is the follow-up to the band's fifth studio album, Death of a Bachelor (2016). The album was produced by Jake Sinclair and preceded by the singles "Say Amen (Saturday Night)" & "High Hopes", with "(Fuck A) Silver Lining", "Dancing's Not a Crime", "Hey Look Ma, I Made It" and "King of the Clouds" following as promotional singles. It received generally positive reviews upon release, with many critics noting Urie's Broadway influences following his performance in Kinky Boots.

A fabulous album, done when Pickett was in the midst of his best period at Atlantic. It had everything - great songs, wonderful production and arrangements, and a hungry, galvanizing Wilson Pickett hollering, screaming, shouting, and soaring on anything he covered, from ballads to uptempo dance and midtempo wailers. It also has been deleted at present.