The Yarbirds

The first studio album of Band originals since 1971's Cahoot – in many respects, Northern Lights-Southern Cross was viewed as a comeback. It also can be seen as a swan song, in that its recording marked the last time the five members would work together in the studio as a permanent group, with a commitment to making a record they would tour behind and build on as a working band. The album was also, ironically enough, the Band's finest since their self-titled sophomore effort, even outdoing Stage Fright.

The Pointer Sisters' first two fantastic albums for Blue Thumb Records, dating from 1973 and 1974. This package features the US Top 40 hits 'Yes We Can Can' and 'Fairytale'. In the early 1980s, The Pointer Sisters had huge international success with their disco/pop hits. Digitally remastered.

While the all-killer no-filler single-disc The Byrds' Greatest Hits remains the best distillation of their classic songs, The Essential Byrds is a smartly assembled double dose, including all 14 of the 1965-1967 tracks on Greatest Hits, but expanding its reach into their entire Columbia output, going as far as the early '70s. Inevitably, that means that disc two – which goes, roughly, from mid-1967 to 1971 – isn't as good as the first half, and that the last four tracks in particular are by far the least impressive, tagged on mostly so that the release spans the Byrds' entire Columbia catalog. That's a small reservation considering that the two-fer adds many first-rate songs not on Greatest Hits, from non-hit singles like "Lady Friend" and "Goin' Back" to standout album cuts like "Renaissance Fair," "Natural Harmony," "Jesus Is Just Alright," and "Chestnut Mare." There are no surprises here; even the songs that eluded inclusion on albums for many years, like the early B-side "She Don't Care About Time" and "Lady Friend," have been commonly available in the CD era. And it's true that this misses some other fine album tracks that could have stood with pride alongside those selected, like "I Knew I'd Want You," "John Riley," and "Dolphin's Smile." Within the confines of the two-CD format, though, it's a very well-chosen career overview.

L'Étagere Du Travail is a companion album to the 2013 release "Le Sacre Du Travail" and is only available on CD. No Vinyl Edition exists! This album is a Fan-Only release and is exclusive. Although the quality is high, these are demos nonetheless. Most of the instruments are played by Andy Tillison. Includes full extended version of "Dialogue du vent et de la mer" by Claude Debussy (featuring Luke Machin on guitar) as well as songs taken from an aborted Tangent album. Album comes in Digipack Case with colour cover. Number 2 in the bands Shelved Work Series. Also includes several revisited tracks!

This double-disc, 41-track collection does what the title promises. It runs through the Animals' – and the subsequent Eric Burdon & the Animals' – singles, A- and B-sides from March 1964's "Baby Let Me Take You Home" till January 1969's cover of "Ring of Fire." By representing both the early- and late-'60s Animals incarnations, it's a relatively comprehensive summation of the band, at least as embodied by their singles. It's not complete since there is nothing from the band's excellent 1977 reunion album Before We Were So Rudely Interrupted. Also, the dreadful 1983 second reunion track "The Night" is incongruously and non-chronologically tacked on as the last cut of the first disc, making the omission of Rudely material that much more frustrating.