The.professor

The rhumba-rocking rhythms of Roy "Professor Longhair" Byrd live on throughout Rhino's 40-track retrospective of the New Orleans icon's amazing legacy. Most of the seminal stuff arrives early on: "Bald Head," the rollicking ode cut for Mercury in 1950, is followed by a raft of classics from his 1949 and 1953 Atlantic dates ("Tipitina," "Ball the Wall," "Who's Been Fooling You"), the storming 1957 "No Buts, No Maybes," and "Baby Let Me Hold Your Hand" for Ebb, and his beloved "Go to the Mardi Gras" as waxed for Ron in 1959. The second disc is a hodgepodge of material from the Professor's '70s comeback, all of it wonderful in its own way but not as essential as the early work.

An exciting 2CD collection / 36 Tracks of studio and live recordings. Almost every musical history contains at least one crucial forebear whose inventions were too bold to translate to a broad audience, but who was nonetheless a profound influence on subsequent generations, and therefore changed the culture at an odd remove'a musician's musician". In the nineteen-forties and fifties, that was Fess's stature. Roy Byrd aka Professor Longhair, his legacy looms larger than any other musical figure with the possible exception of Louis Armstrong. On THE BACH OF ROCK, Longhair bounces buoyantly through old favorites while adding some new songs into the mix. Fess's infectious vocals, jaunty ivory-tickling, and funky groove provide the ultimate soundtrack to the Crescent City and show exactly why the city has the reputation that it does.

Toweringly influential New Orleans pianist, vocalist, songwriter, and vital bridge between jazz, rock & roll, and R&B.
Justly worshipped a decade and a half after his death as a founding father of New Orleans R&B, Roy "Professor Longhair" Byrd was nevertheless so down-and-out at one point in his long career that he was reduced to sweeping the floors in a record shop that once could have moved his platters by the boxful.
That Longhair made such a marvelous comeback testifies to the resiliency of this late legend, whose Latin-tinged rhumba-rocking piano style and croaking, yodeling vocals were as singular and spicy as the second-line beats that power his hometown's musical heartbeat…