Theater Production

Dream Theater The Long Island-based quintet Dream Theater are, in the 21st century, the standard bearers of progressive metal. While the subgenre's origins can be traced to Rush's song "Bastille Day" in 1975, and Queensrÿche's 1988 concept offering Operation: Mindcrime was its first full-length album, Dream Theater have largely defined and expanded the music's horizons since 1986. The band's ability to deliver tight, melodic, musically sophisticated songs and thematic concept recordings that encompass elements of hook-based hard rock, riff-fueled metal, syncopated prog, and sophisticated lyrics have made them the act that subsequent genre bands aspire to and are measured by. While five of their albums have charted inside the Top 20 of the Top 200, ten have placed inside the top half of the chart; they have sold more than 12 million records globally.

Two CDs. Originally released back in 2004 on Ytsejam Records, 'When Dream And Day Unite Demos (1987-1989)' collects together instrumental and pre-production demos of what would go on to become the bands debut album. It also features 6 tracks the band recorded as a holiday gift to friends.

In 1978 Alfred Schnittke (1934-1998) wrote the incidental music for a production of The Inspectors Tale, an adaptation for stage of Gogols Dead Souls. It was to have been directed by Yuri Lyubimov, but the Soviet government banned the production. A suite was assembled from the score by Gennadi Rozhdenstvensky, and two leading colleagues of Schnittke - Gubaidulina and Denisov contributed a jointly composed march, which opens this CD. In 1985 the music was choreographed, the ballet, called Esquisses was performed at the Bolshoi. Schnittke composed a number of new pieces for this production. The characters in the action are all from Gogol, but in addition to The Dead Souls, we meet Tchitchikov, Major Kovalyovs Nose, and Ferdinand VIII from Notes of a Madman. A passage from the book is recited in his piece, and is read by the conductor on this CD. The music is a poly-stylistic, with a huge orchestra (2 electric guitars, flexatone, prepared piano with coins inserted between the strings), quotations from Beethoven, Haydn, Tchaikovsky - all with a sense of devilish mischief which suites ideally the grotesque nature of many of Gogols characters.

Unfortunately, this fine live recording will always be remembered for the cover art. Released on September 11, 2001, the original cover displayed a flaming apple wrapped in barbed wire with the skyline of New York engulfed in flames. The band's trademark logo had always been a flaming heart wrapped in barbed wired, but for this recording the apple and skyline were added to reflect that the live concert was held in New York (Roseland Ballroom). The dreadful coincidence was a shock to both the band and record company, prompting an immediate recall. Tragically, this made the original pressings an instant collector's item to those who engage in such feckless activities. The issue received national media attention and the band, mostly comprised of native New Yorkers, issued a sympathetic statement that the recording would be re-released with a new cover. The recording itself is a live version of their prog rock masterpiece, Metropolis Part II: Scenes From a Memory, plus additional live material performed the same evening. The production and sound quality are good and the band's energy is fittingly captured. This same live concert can be seen on the DVD Metropolis 2000: Scenes From New York.