Theater

The technically proficient guitar playing of John Petrucci elevated Dream Theater to the upper echelons of contemporary heavy metal. While its lineup has continuously evolved, the Long Island-based quintet has consistently delivered sharp-edged music…

A View from the Top of the World is an incredibly solid album that brings out the best qualities in Dream Theater’s current incarnation. Predictable, sure, but incredibly solid…

The technically proficient guitar playing of John Petrucci elevated Dream Theater to the upper echelons of contemporary heavy metal. While its lineup has continuously evolved, the Long Island-based quintet has consistently delivered sharp-edged music…

A brand-new, unreleased entry in the Lost Not Forgotten Archives, "Live at Madison Square Garden (2010)" sees Dream Theater supporting the legends, Iron Maiden, performing to a hometown New York audience in one of the world’s most iconic venues.

Though Dream Theater recruited drummer Mike Mangini to replace Mike Portnoy on 2011's A Dramatic Turn of Events, his drum parts had all been scripted before the change, leading to the rather stilted feeling of the album. This self-titled offering, the band's 12th album overall, marks the first time Mangini was involved in the writing and creative decision making from the jump and it shows. Produced by guitarist John Petrucci and recorded and mixed by Richard Chycki, this is one of the more dynamic, far-reaching albums in DT's catalog. Opener "False Awakening Suite" is a brief but cinematic near-instrumental with twinned guitars and keyboards riffs from Petrucci and keyboardist Jordan Rudess, all underscored by a string section and layered choral vocals by James LaBrie…

Coming a year after Six Degrees of Inner Turbulence, it's great to hear that Dream Theater hadn't lost their überheavy edge. John Petrucci, Mike Portnoy, Jordan Rudess, and bassist John Myung effectively peeled back the pretentious excesses of Six Degrees, turned them in on themselves, and came up with a leaner, meaner but no less ambitious outing. The centerpiece track, despite the fact that it is second on the disc, is "This Dying Soul: IV. Reflections of Reality (Revisited)." A tome about alcoholism and recovery, it's strident riff opens out onto vast sonic panoramas where pianos and rhythm section offer Petrucci the space he needs to take his guitar playing into overdrive. Also, lyrically this is an evolutionary track on the set; it opens doors for the rest of the narratives here…