Theme 'B la F

Quatuor Modigliani - Portraits (2019)  Music

Posted by Pisulik at Jan. 10, 2019
Quatuor Modigliani - Portraits (2019)

Quatuor Modigliani - Portraits (2019)
WEB FLAC (Tracks) - 312 MB | Cover | 01:04:28
Classical | Label: Mirare

Modigliani, one of the greatest portrait painters, is the inspiration for this journey made up of pieces with unique characters. Designed as a portrait gallery, this new opus brings together masterpieces and discoveries. The look or hear the ear, linger on the curves, the lines, the singular melodic drawing of each of these partitions. Filigree is another portrait, that of the quartet.
Quatuor Modigliani - Portraits (2019) [Official Digital Download 24/96]

Quatuor Modigliani - Portraits (2019)
FLAC (tracks) 24-bit/96 kHz | Time - 64:28 minutes | 1.09 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Modigliani, one of the greatest portrait painters, is the inspiration for this journey made up of pieces with unique characters. Designed as a portrait gallery, this new opus brings together masterpieces and discoveries. The look or hear the ear, linger on the curves, the lines, the singular melodic drawing of each of these partitions. Filigree is another portrait, that of the quartet.

Quatuor Modigliani - Portraits (2019)  Music

Posted by delpotro at Aug. 28, 2019
Quatuor Modigliani - Portraits (2019)

Quatuor Modigliani - Portraits (2019)
EAC Rip | FLAC (tracks+log+.cue) - 290 Mb | MP3 CBR 320 kbps - 150 Mb | Artwork included | 01:04:33
Classical | Label: Mirare

This is the musical equivalent of a box of assorted high-end chocolates: loads of treats in bite-size pieces, with something for everybody. Barber’s Adagio, heard here in its original string-quartet version, is the one everyone will be reaching for and the Modigliani don’t disappoint, giving us playing of poise and rapt intensity. Miniatures by composers from Mozart to Leroy Anderson—whose “Plink, Plank, Plunk!” is suitably madcap—via Mendelssohn, Korngold, and many others show off playing of charm, humor, and great panache.
Aurel Dawidiuk - Liszt I B-A-C-H (2022) [Official Digital Download 24/96]

Aurel Dawidiuk - Liszt I B-A-C-H (2022) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 55:47 minutes | 830 MB
Classical | Studio Master, Official Digital Download

A musical all-rounder makes his debut: the 22-year-old Aurel Dawidiuk, born in Hanover, is a pianist, organist, conductor, composer and has already been awarded several times in the various fields of his work.

VA - Panorama de la guitare (2018)  Music

Posted by SERTiL at April 2, 2018
VA - Panorama de la guitare (2018)

VA - Panorama de la guitare (2018)
Classical, Guitar | WEB FLAC (tracks) & front cover | 2.61 GB
Label: Erato | Tracks: 390 | Time: 18:39:13

A treasury of the classical guitar: as a solo and concerto instrument, and as a partner to other instruments, in music from Europe and Latin America that spans five centuries. This box assembles all releases from the ground-breaking series, Panorama de la guitare, which showcased luminaries of the guitar’s ‘new golden age’ in the 1960s and 70s. Most of these recordings are making their first appearance on CD, and all have been remastered from the original tapes in 24bit/96kHz, revealing the sound of the instrument in its true intimacy and beauty.
Eric Le Sage - Brahms: Œuvres pour deux pianos (Intégrale musique de chambre), Vol. 9 (La Belle Saison Live) (2021)

Eric Le Sage - Brahms: Œuvres pour deux pianos (Intégrale musique de chambre), Vol. 9 (La Belle Saison Live) (2021)
FLAC tracks / MP3 320 kbps | 56:55 | 130 / 185 Mb
Genre: Classical / Label: B Records

We know that Brahms was a great enthusiast of the keyboard and yet he composed few works exclusively for piano. Accordingly, the Variations on a Theme by Joseph Haydn and Sonata for Two Pianos are all the more precious with their scores containing the full harmonic complexity and tonal diversity of his music, made sublime by the nimble fingers of Éric Le Sage and Théo Fouchenneret. This is a pivotal milestone in the huge endeavour of producing the Complete Works of Brahms undertaken by B Records since 2017
Antal Doráti & London Symphony Orchestra - Brahms: 16 Hungarian Dances, Variations on a Theme by Haydn (1957/2024) [24/96]

Antal Doráti & London Symphony Orchestra - Brahms: 16 Hungarian Dances, Variations on a Theme by Haydn (Remastered) (1957/2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 56:14 minutes | 1,02 GB
Classical | Label: Alexandre Bak - Classical Music Reference Recording, Official Digital Download

The Hungarian Dances (German: Ungarische Tänze) by Johannes Brahms (WoO 1), are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879. They vary from about a minute to five minutes in length. They are among Brahms's most popular works and were the most profitable for him. Each dance has been arranged for a wide variety of instruments and ensembles. Brahms originally wrote the version for piano four hands (piano duet: two players using one piano) and later arranged the first ten dances for solo piano.
Antal Doráti & London Symphony Orchestra - Brahms: 16 Hungarian Dances, Variations on a Theme by Haydn (Remastered) (1957/2024)

Antal Doráti & London Symphony Orchestra - Brahms: 16 Hungarian Dances, Variations on a Theme by Haydn (Remastered) (1957/2024)
WEB FLAC (tracks) - 293 Mb | MP3 CBR 320 kbps - 131 Mb | 00:56:14
Classical | Label: Alexandre Bak - Classical Music Reference Recording

The Hungarian Dances (German: Ungarische Tänze) by Johannes Brahms (WoO 1), are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879. They vary from about a minute to five minutes in length. They are among Brahms's most popular works and were the most profitable for him. Each dance has been arranged for a wide variety of instruments and ensembles. Brahms originally wrote the version for piano four hands (piano duet: two players using one piano) and later arranged the first ten dances for solo piano.
Paul Anka, Maurice Jarre - The Longest Day (Le Jour le plus long) (1962/2013) Bande originale du film de Darryl F. Zanuck

Paul Anka, Maurice Jarre - The Longest Day (Le Jour le plus long) (1962/2013)
Original Soundtrack (Bande originale du film de Darryl F. Zanuck)
Also contains music from: Un Taxi Pour Tobrouk, Paris Brule-t-il?,
La Bataille Du Rail, Le Pere Tranquille, Jeux Interdits

EAC | FLAC (Tracks) + cue.+log ~ 187 Mb | Scans ~ 64 Mb
Soundtrack, Score | Label: Milan | # 399 485-2 | 00:44:29

A unique film deserves a unique score. The famous song from “The Longest Day” was written and composed by Paul Anka. The rest of the score was composed, arranged, and orchestrated by Maurice Jarre. It was the minimum needed for this super production, which is considered as one of the most brilliant tributes to the freedom soldiers! In addition to “The Longest Day”’s score are featured the World War II cinema classics’ soundtracks: Denys de la Patellière’s “Un Taxi Pour Tobrouk” composed by Georges Garvarentz, René Clément’s “Is Paris Burning?” composed by Maurice Jarre, René Clément’s “La Bataille du Rail” composed by Yves Baudrier, René Clément’s “Mr. Orchid composed by René Cloërec, and René Clément’s “Forbidden Games” composed by Narciso Yepes.

Igor Markevitch - The Deutsche Grammophon Legacy (2021)  Music

Posted by Rtax at April 14, 2024
Igor Markevitch - The Deutsche Grammophon Legacy (2021)

Igor Markevitch - The Deutsche Grammophon Legacy (2021)
FLAC (tracks) - 5.3 GB | MP3 CBR 320 kbps - 3.1 GB
22:56:47 | Classical | Label: Eloquence / Deutsche Grammophon

Issued complete for the first time, Igor Markevitch’s Deutsche Grammophon legacy from Berlin, Paris, Prague and New York, made between 1953 and 1965. ORIGINAL JACKETS | LIMITED EDITION.
‘I record so much I forget even my own records!’ Markevitch was a prolific recording artist for several labels, principal among them Deutsche Grammophon, HMV/EMI and Philips (Eloquence has also released a new, complementary collection of his Philips legacy). He felt more comfortable in the studio than many of his podium colleagues and viewed recording as the opportunity to bring out aspects of the score which could remain unheard by live audiences.