Things Might go

Over the course of several '60s albums on the Liberty subsidiary, Dolton, the Ventures became the most popular instrumental combo in the U.S.; they would later go on to international fame in the '70s and '80s as pop icons in Japan and Europe. Staying consistent with other globally appealing theme albums like The Ventures' Beach Party and Super Psychedelics, the band opt for a mod, go-go spin on 1966's Wild Things! Along with high-profile covers like "Wild Thing," "Summer in the City," and "The Work Song," some respectable originals like "Wild Trip," and "Fuzzy and Wild" are also included. With the aid of their fuzztone- friendly Mosrite guitars, the group keep things sufficiently grainy and hard-edged throughout; the occasional Farfisa organ, Peter Lorre impersonation ("Wild Thing"), and Martin Denny exotica flourish help balance out the mix. Later released on a See For Miles' two-fer with the Guitar Freakout album, Wild Things! might not compare to classic early releases like Surfing and In Space, but it still is a good bet for die-hard Ventures fans.

The Fabulous Ventures (1964). Originally issued on Dolton in 1964, The Fabulous Ventures combined six original compositions including the single "Journey to the Stars" and "Walking with Pluto," which sound like outtakes from The Ventures in Space LP released a few months earlier. Also included are six cover versions of popular songs from the era including "Needles and Pins," "The Cruel Sea," "Tall Cool One," "Only the Young," "Fugitive," and "The Pink Panther Theme." In general the Ventures' albums have stood the test of time and hold together well, especially the ones that follow a particular theme. While the playing time on this disc is only 28 minutes in length, in the case of many Ventures' albums, less is more…

A 2017 remaster of Rock St. Trop, the fascinating 1969 collaboration between The Pretty Things and Philippe Debarge (an eccentric wealthy playboy from France).
In late August 1969, Phil May and Wally Waller were flown to St. Tropez by Philippe Debarge and taken to the DeBarge family estate - a magnet for the rich and famous of the era, from politicians to film and rock stars. DeBarge had serious money and wanted to make a serious album, with him as front man. Philippe had done his research and knew exactly who he wanted to make that album with The Pretty Things…

For their third album, the Go-Go's abandoned all pretense of being punk, or even new wave, and went for an unabashed mainstream pop masterpiece. They nearly achieved their goal with Talk Show, an album filled with great pop songs but undermined by its own ambition. Talk Show has a sharper sound than its predecessors, with bigger guitars and drums, which helps drive home the accomplished pop hooks of "Turn to You," "I'm the Only One," and "Yes or No." However, the record is cluttered with half-realized songs and an overly detailed production which occasionally prevents the songs from reaching their full potential. But when the production and song are teamed well, the results are incredible, such as the surging "Head Over Heels," another classic single.