Those Who Rush Beyond The Sea

Deutsche Grammophon is proud to presents the release of orchestral works composed by Bryce Dessner, known to many from acclaimed rock band The National, as well as a complete Suite from the soundtrack of “There Will Be Blood”, composed by Jonny Greenwood from Radiohead. With this album Bryce Dessner and Jonny Greenwood open up a new frontier for symphonic music.

After almost two decades of hibernation under the ambient waves and dub currents of the Sargasso Sea, LSD announces the next installment of the seminal ‘Auntie Aubrey's' series, an Orb Remix Project. This 2 x CD compilation is a veritable smorgasbord of classic, new and unreleased labour-of-love remixes that span three decades yet still transcend space and time.

Ian Venables studied composition with Richard Arnell at Trinity College of Music, London and later with John Joubert, Andrew Downes and John Mayer at the Royal Birmingham Conservatoire. His works encompass many genres and he has added significantly to the canon of English art song.

You know these songs. Even if you’ve never even been to Scotland, even if you’re not a seafaring type, you know them. That’s because the twelve anthems—and make no mistake, these are anthems—The Real McKenzies have picked for this new album have been sung by others for decades, if not centuries.

Live at the Royal Albert Hall is a three-disc live album set by The Who, released in 2003. Discs one and two were recorded on November 27, 2000 and consist of John Entwistle, Roger Daltrey, Pete Townshend, Zak Starkey, and John "Rabbit" Bundrick performing a concert at the Royal Albert Hall for the Teenage Cancer Trust. This concert featured several special guests: Bryan Adams, Noel Gallagher, Kelly Jones, Nigel Kennedy, Eddie Vedder, Paul Weller. Disc 3 features four songs from The Who's last concert with John Entwistle, from February 8, 2002. Townshend dedicated "A Heart to Hang Onto" to the late Ronnie Lane.

"Roll The Bones" is Rush’s 1991 Platinum classic. It became the band’s first Billboard Top Five album since "Moving Pictures". The outing is one of the band’s most rock-oriented efforts and it produced the four Top Twenty singles “Bravado”, “Dreamline”, “Ghost Of A Chance” and “Roll The Bones”. The album remains one of the band’s best and one of rock’s greatest albums of the ‘90s.

"Roll The Bones" is Rush’s 1991 Platinum classic. It became the band’s first Billboard Top Five album since "Moving Pictures". The outing is one of the band’s most rock-oriented efforts and it produced the four Top Twenty singles “Bravado”, “Dreamline”, “Ghost Of A Chance” and “Roll The Bones”. The album remains one of the band’s best and one of rock’s greatest albums of the ‘90s.

Blue Beyond the Glass presents three bold composers writing for a world-class concert band and demonstrates the dynamism of the St. Olaf Band under the direction of longtime conductor Timothy Mahr, who retired in 2023. The album opens with Jodie Blackshaw’s Symphony No. 1 (“Leunig’s Prayer Book”), inspired by four prayers from Australian poet Michael Leunig; movement titles are derived from each prayer, celebrating the arrival of a new season. The album continues with To Gold in Broadest Blue, by St. Olaf alumna Jocelyn Hagen ’03, a dazzling tour de force inspired by the composer’s home state of North Dakota; Hagen’s music is grounded in possibility, tranquility, and peace.

Blue Beyond the Glass presents three bold composers writing for a world-class concert band and demonstrates the dynamism of the St. Olaf Band under the direction of longtime conductor Timothy Mahr, who retired in 2023. The album opens with Jodie Blackshaw’s Symphony No. 1 (“Leunig’s Prayer Book”), inspired by four prayers from Australian poet Michael Leunig; movement titles are derived from each prayer, celebrating the arrival of a new season. The album continues with To Gold in Broadest Blue, by St. Olaf alumna Jocelyn Hagen ’03, a dazzling tour de force inspired by the composer’s home state of North Dakota; Hagen’s music is grounded in possibility, tranquility, and peace.

“(Armstrong) has devised a score that is intoxicating in the images it amplifies – a dense minimalist soundscape…”