Tim Buckley

This is the most important Tim Buckley release since Dream Letter, featuring a singular performance with a jazz-rock lineup that calls to mind Van Morrison’s Astral Weeks. Buckley, father of Jeff Buckley, made his mark with his Southern California folk-rock sound and four-octave vocal range. But this rich weave of accessible, warm, improvisational music reveals Buckley in a light never before captured on tape, including two newly discovered songs (“Blues, Love” and “The Lonely Life”), early drafts of Buckley classics, and a stunning cover of Fred Neil’s “Merry-Go-Round.” Recorded by the Grateful Dead’s legendary soundman Owsley “Bear” Stanley, the infamous LSD chemist, this is one of the treasures of his Sonic Journal archive. Buckley’s performance is incredible and Bear’s thumbprint on the sonics is part of the magic!

Tim Buckley - Original Album Series 1966-1970 (2011) {5CD Box Set Elektra - 8122 79753 8}
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© 1966-70, 2011 Elektra / Rhino / Warner | 8122 79753 8
Rock / Folk Rock / World / Psychedelic Rock / Country / Blues / Singer/Songwriter / Jazz

UK-only five CD box set containing a quintet of albums from this influential singer/songwriter housed in mini-LP sleeves. Includes the albums Tim Buckley (1966), Goodbye And Hello (1967), Blue Afternoon (1969), Happy Sad (1969) and Lorca (1970). Happy!!! NOT Sad! Prime Tim Buckley finally available. Today I just ran across this listing in Amazon and ordered it within seconds. So I cannot comment on the packaging or sound quality, but being issued by Warner Brothers UK, I am confident that both will be excellent. What I can comment on is: finally, to my ears, the single best Tim Buckley album "Blue Afternoon" is back in print after years of being unavailable. "Blue Afternoon," although comprised of so-called "leftovers" as far as Buckley was concerned, has always been my favorite Buckley album, which I purchased when it came out in 1969.

These previously unreleased live May 1968 recordings from The Electric Theatre in Chicago can be regarded as works in progress. In real time in front of an audience, Tim (accompanied by an unidentified bass player and his trusty sideman Carter C.C. Collins on congas) is basically thinking out loud as he moves from one musical and/or lyrical idea to another during this Chicago performance. Mastered by Bill Inglot, the songs include early versions of “Sing A Song For You”, “Gypsy Woman”, “Dolphins” and “Happy Time”.

Tim Buckley - Live At The Troubadour 1969 (1995) {Manifesto PT3 40705}
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© 1969, 1995 Manifesto Records | PT3 40705
Rock / Folk Rock / World / Psychedelic Rock / Country / Blues / Singer-Songwriter / Jazz

For an artist whose recording career spanned less than ten years, Tim Buckley seemed to get a lot done. From 1966's self titled debut, to Look At The Fool, his final album released in 1974, Buckley's oeuvre is as broad as it is varied. Ever the experimental troubadour, no other singer of the time was capable of absorbing such a diverse range of styles, whether that be folk, blues, jazz, rock, or classical, Tim was the ultimate when it came to freedom of expression.

13 previously unissued solo acoustic demos including 5 unheard original composition, showcasing Buckley's recognisable style of acid-folk tinged with harpsichord and harmonium. Recorded in 1967, remastered from recently discovered tapes and rare acetate.

Tim Buckley possessed a golden voice that spanned the range from baritone to tenor. More importantly, he knew what to do with it. Sometimes he used it simply as a vehicle to carry the lyrics. Other times he used it as an extraordinary musical instrument in its own right. This box contains three live albums on four CDs from Buckley’s classic phase: “Dream Letter – Live in London 1968” (on two CDs), “Live At The Troubadour 1969” and “Honeyman – Recorded Live 1973”. These performances feature eight songs that were never otherwise recorded, alongside selections from Goodbye And Hello, Happy Sad, Blue Afternoon, Lorca, Greetings From LA and Sefronia.