Tim Phillips Principe

With their faultless intonation, transparency of line, and ideal balance between emotional intensity and cool intellectuality, the Tallis Scholars are unrivalled in this repertoire. Peter Phillips highlights the individuality of the different voice-parts - making their individuality comprehensible - yet forms a homogeneous overall sound. By comparing the early Missa Ad fugam and the later Missa Sine Nomine Josquin's stylistic development becomes clear: the thick sound-world of the early work, with its melismatic long-drawn-out lines, yields to a much tauter style, full of rhythmic contrasts without forfeiting any complexity.

Turn down the lights and get out your joss-sticks for this one: a selection of sixteenth-century Tenebrae music for Holy Week, among the most evocative parts of the liturgy. Since they had already made successful recordings of the Brumel, Tallis and White, it was a good idea for The Tallis Scholars to add new recordings of Tenebrae settings by Alfonso Ferrabosco the Elder and Palestrina. As Peter Phillips points out in his brief note, the only textual feature they have in common is their all ending with the passage “Jerusalem, Jerusalem, convertere ad Dominum Deum tuum”. Otherwise the texts that the various composers selected from the Lamentations of Jeremiah are quite different; but all show an intensity and a devotional power that work cumulatively to produce a remarkably satisfying disc. And it is endlessly fascinating to hear the different approaches to these anguished texts.

This anthology covers Tim Story's work between 1979 and 1986, serving up 18 pieces. Because there is no attempt to provide the pieces in chronological order (though the notes do indicate which album each piece comes from), there is no sense of Story's development as a composer - a later piece focusing on piano may well be followed by a more electronic piece. "Abridged" is a collection of small, floating still-life pieces, absorbing by dint of their lack of drama. Story's work draws the listener in, somehow capturing the attention by refusing to demand it - it's as easy to let the music fall into the background as to concentrate on it as a foreground element.

Countertenor Tim Mead presents Beauteous Softness, a programme containing restrained yet profoundly moving songs by seventeenth-century English composers such as Purcell, Blow, Humfrey and Webb, in collaboration with La Nuova Musica and David Bates. The album also showcases the rich musical context that provided the foundation from which Purcell rose to prominence.

Originally released in 1995, Gypsy Suite is a unique blend of progressive rock, folk, and world music. The album showcases the incredible musical talents of both Phillips and Williamson, who effortlessly combine their distinctive styles to create a captivating listening experience. The remastered edition breathes new life into the original recordings, enhancing the clarity and depth of the music. Each track shines with renewed brilliance, allowing listeners to fully appreciate the intricate instrumentation and lush arrangements that make this album so special.