Sarah Brightman's 1999 release Eden applies her rich, supple voice to 16 tracks that range from classical to pop to haunting ballads. The album features "Il Mio Cuore Va," Titanic's "My Heart Will Go On" sung in Italian; "Scene D' Amour," the theme from The English Patient; and "Nessun Dorma" from Puccini's Turandot…
Timeless, known as Time to Say Goodbye in the USA and Canada, is the fifth album by classical crossover soprano Sarah Brightman & the London Symphony Orchestra. The album went gold or platinum in 21 countries, selling over 1.4 million copies in the US alone, and topped the Billboard Classical Crossover chart in the US for 35 weeks. This album peaked at No. 71 on the Billboard Top 200 albums, and peaked at number-one on the Billboard Top Classical Crossover Albums. On the Billboard Classical charts, it stayed at the peak for thirty-five consecutive weeks.
Raven's 2002 two-fer CD reissue of Jerry Lee Lewis' 1968 album Another Place Another Time and 1970's She Even Woke Me Up to Say Goodbye contains the added bonus of six tracks – over half the album – from 1969's She Still Comes Around (To Love What's Left of Me). By doing this, the disc transcends typical two-fer status (which, frankly, would have been enough, since these two albums are so tremendous, their first CD release is something to celebrate) and becomes the best single-disc collection of Jerry Lee's country material. There have been other discs that tackle the same recordings for Smash (all unfortunately out of print as of this writing), but their scope was a little broader, including many of his '70s hits for Mercury as well as Smash sides unheard here.
Reissue with latest 2014 remastering. Comes with liner notes. The last of the pianoless quartet albums that Gerry Mulligan recorded in the 1950s is one of the best, featuring the complementary trumpet of Art Farmer, bassist Bill Crow, and drummer Dave Bailey along with the baritonist/leader. This recording is a little skimpy on playing time but makes every moment count. Virtually every selection is memorable, with "What Is There to Say," "Just in Time," "Festive Minor," "My Funny Valentine," and "Utter Chaos" being the high points. Highly recommended both to Mulligan collectors and to jazz listeners who are just discovering the great baritonist.
BGO's 2013 two-fer She Even Woke Me Up to Say Goodbye/There Must Be More to Love Than This combines Jerry Lee Lewis' 1970 album with its 1971 sequel, both ranking among his finest country efforts. She Even Woke Me Up to Say Goodbye slightly edges out its sequel in terms of consistency, partially because it's anchored on a couple of major hits ("Once More with Feeling," "She Even Woke Me Up to Say Goodbye"), but There Must Be More to Love Than This is no slouch, containing a bunch of pure hard country, lots of barroom weepers and barrelhouse rockers.
The last of the pianoless quartet albums that Gerry Mulligan recorded in the 1950s is one of the best, featuring the complementary trumpet of Art Farmer, bassist Bill Crow, and drummer Dave Bailey along with the baritonist/leader. This recording is a little skimpy on playing time but makes every moment count. Virtually every selection is memorable, with "What Is There to Say," "Just in Time," "Festive Minor," "My Funny Valentine," and "Utter Chaos" being the high points. Highly recommended both to Mulligan collectors and to jazz listeners who are just discovering the great baritonist.
The series was revived as "AM Gold" in 1995, with a different cover design (early volumes had an artist's drawing of a pocket transistor radio, with later volumes bearing a "gold record" with the year or era spotlighted emblazoned over the top). The first 20 volumes were re-titled issues of volumes from the former "Super Hits" series with identical track lineups, while new volumes covering the mid- and late-1970s (including individual volumes for each of the years 1974-1979) were included.
The series was revived as "AM Gold" in 1995, with a different cover design (early volumes had an artist's drawing of a pocket transistor radio, with later volumes bearing a "gold record" with the year or era spotlighted emblazoned over the top). The first 20 volumes were re-titled issues of volumes from the former "Super Hits" series with identical track lineups, while new volumes covering the mid- and late-1970s (including individual volumes for each of the years 1974-1979) were included.
Sounds of the Seventies was a 38-volume series issued by Time-Life during the late 1980s and early-to-mid 1990s, spotlighting pop music of the 1970s. Much like Time-Life's other series chronicling popular music, volumes in the "Sounds of the Seventies" series covered a specific time period, including individual years in some volumes, and different parts of the decade (for instance, the early 1970s) in others; in addition, some volumes covered specific trends, such as music popular on album-oriented rock stations on the FM band. Each volume was issued on either compact disc, cassette or (with volumes issued prior to 1991) vinyl record.