Tito me

Andalucia is the fourth studio album by Los Angeles rock band Tito & Tarantula, released in 2002. The album marked several line-up changes in the band, which had previously consisted of lead singer/rhythm guitarist Tito Larriva, lead guitarist Peter Atanasoff, and drummer Johnny "Vatos" Hernandez. This album featured the debut of lead guitarist Steven Hufsteter – who had previously played with Larriva in the Cruzados, bassist Io Perry, and keyboardist Marcus Praed. The band toured promoting the album for several years. They also filmed a music video for the song "California Girl".

Lost Tarantism is a studio album with twelve hitherto unreleased songs! Tito Larriva, singer and mastermind of Tito & Tarantula, discovered the unpublished and long forgotten footage from the Tarantism sessions in it's archive. Emotional depth always evocative music, which was for a new genre of American film music and stands. Tito & Tarantula at it's best! Tracks full of energy and cinematic associations. Once again you show Tito extraordinary talent as a songwriter and singer, sometimes rock, sometimes trashy, then surprisingly soulful, wistfully. But always be with this wonderful, dangerous voice that tells us so much and guessed so much more and feel.

Tito & Tarantula is an American chicano rock/stoner rock band formed in Hollywood California in 1992 by singer/songwriter/guitarist Tito Larriva. The band is best known for its songs, "After Dark", "Back to the House That Love Built", "Strange Face of Love", and "Angry Cockroaches", as well as for its role in Robert Rodriguez's film From Dusk till Dawn as the band performing at the "Titty Twister" nightclub. "After Dark" was the track played during Salma Hayek's iconic exotic dance scene in that film, and later became the theme for From Dusk Till Dawn: The Series. Back into the Darkness is the fifth album by Tito & Tarantula, released in 2008.

The king of the Latin-American dance field is Tito Puente. Once again, the diminutive maestro demonstrates his dominance with this new recording of popular Latin-American rhythms. In this exciting outing, Tito Puente and his orchestra lay down a driving irresistible beat that moves from beginning to end in a pulsating performance. Tito Puente and his orchestra create an added appeal with their ensemble singing which lends an authenticity to the music. Their vocal performance like everything else sparkles with vitality.

During the early nineteenth century the new 1804 Viennese version of La Clemenza di Tito, was Mozart's most popular opera in Europe. However, in keeping with the practice during that period, it was performed in versions adapted to the times and the taste of the opera public and this is precisely the starting point for our recording's conductor Alessandro De Marchi. He would like to present Tito in the form in which it was staged and acclaimed in great houses from the Vienna Court Opera to the Milan Scala and from Dresden and Hamburg to Paris during the early years of the nineteenth century. Our recording is based on the acclaimed production at the Innsbruck Festival Weeks 2013 with the Academia Montis Regalis performing on historical instruments.