Tom Schijvers

20 tracks set of covers of Tom Petty's signature songs. Highlights include a handful of songs by Petty's longtime friends and collaborators, such as George Strait, Steve Earle, Willie Nelson with Lukas Nelson, Bluegrass pioneer Marty Stuart and The Heartbreakers' Mike Campbell and Benmont Tench. Contemporary country superstars Luke Combs, Chris Stapleton, Carly Pearce, Lady A, Margo Price, Rhiannon Giddens, Thomas Rhett, Wynonna Judd, and Lainey Wilson pay tribute to the late rocker with their own spin on fan favourites plus there's the and the one and only Dolly Parton.

Digitally remastered edition. Closing Time is the debut record by Tom Waits and it foreshadows the distinctly lyrical storytelling and original blending of jazz, blues and folk styles that would come to be associated with the artist. Waits performs enduring classics of his career such as Ol' 55 (covered by the Eagles), the heartbreaking "Martha" and the gentle acoustic folk of "I Hope I Don't Fall In Love With You". Produced and arranged by former Lovin' Spoonful member Jerry Yester, Closing Time was the first of seven of Waits' major releases by Asylum. The album is noted for being predominantly folk influenced although Waits intended for Closing Time to be "a jazz, piano-led album."

French based multi-instrumentalist and composer Tom Penaguin presents his spectacular self-titled debut album. The album showcases some of the most impressive Canterbury Scene progressive rock sounds since the genre’s inception in the 1970s. Tom (guitarist of Djiin and former keyboardist of Orgöne), began playing guitar at the age of 6 and later learnt how to play drums, piano and organ to a professional standard by the age of 15. Influenced by the likes of Frank Zappa and the Canterbury Scene, Tom set out to build an analog music studio in his house in 2020, where he recorded the entire album using a plethora of vintage studio hardware and equipment. The result is a masterful ode to bands like Egg and National Health. The songs are complex in structure, with Stravinsky-inspired patterns, glorious melodies, whilst allowing room for lengthy improvisations akin to the fusion scene of the early 70s.