Treacy Chapman

These two albums are part of a clutch of albums Michael made when he was between record companies and which he recorded for his own production company Rural Retreat Records. Rural Retreat West Virginia, on the old Virgin Creeper Line, was the subject of one of O.Winston Link's famous "train" pics of whom MC is a huge fan. We made the pilgrimage on one of our US road trips hence the name. 2xCD + Booklet in 6 panel Digipack with sleeve notes by Andru Chapman.

A studio album by Roger Chapman is always an event. Since '66, when the British singer-songwriter emerged as the voice of his generation with the seminal Family band, through every twist of his four-decade solo career, Chappo's output has defied music industry protocol, challenged genre, and held up a mirror to the times. "I've never stopped writing," he reflects, "and with Life In The Pond, I felt the need to hear what I'd put down in music."

Roger Chapman is best known for his barbed-wire voice, used to front British '70s rock acts Family and Streetwalkers. He began a long-awaited solo career in 1978 that led to over a dozen full-length releases. Never heard of them? It's not surprising: album-wise, he camped out in Germany for 20 years. His first album and tour got high praise in his British homeland, but critics cut into him soon after. When the hassle-free German market beckoned, Chapman began to focus his subsequent work there, where he had become a musical hero, "the working-class artist." Chapman split with his longtime writing partner, Charlie Whitney, after the breakup of Streetwalkers in 1977.

This music, the album EB=MC2 and Chapman and Banai’s concerts together before that can ultimately be traced back to two valleys. One near Hawnby, North Yorkshire, lush green and full of trees, the other, more austere, in northern Galilee. Michael Chapman, paying his way through Art College in the early ’60s worked as a woodsman on the North Yorkshire Mexborough estate in the summer breaks and found inspiration for classics like “In the Valley” and “Among the Trees,” leaning against the trees with his guitar. Slightly later, Ehud Banai spent an extended reflective period in the ’70s, alone near Rosh Pina in Galilee, with his guitar, a ghetto blaster and one cassette. On that inspirational cassette was Michel Chapman’s 1969 Fully Qualified Survivor album. Travel forward over 30 years to 2012, and Ehud, now a successful musician with a string of his own albums, is playing The 12 Bar Club on Denmark Street in London.

Parallel Times. Dizzying constellations of notes netted within the soundboard of the harpsichord, quill-plucked and sent spinning in darting arcs and ascending steps. . . Harmonic fog adrift from which notes slip out in silvery streaks, gleaming with passion, while some, disconsolate, fall into dark silence snuffing out their glow. . . Cymbals sizzle and resonate, ceding space to the crackle of shells shaken. Wood, skin, clay all brushed, touched and tamped, honed into accents and beats, breathing between the firefly flurries criss-crossing through their time…

Renowned in his day as a virtuoso keyboard player, Bernardo Pasquini (1637-1710) was the most important Italian composer of keyboard music between Frescobaldi and Domenico Scarlatti. In that capacity his output has output has been surveyed by Brilliant Classics with authoritative collections of his sonatas for harpsichord (94286) and for two organs (94347). However, Pasquini also composed more than 70 cantatas – most of them for one and two voices with continuo accompaniment, of the concise and dramatic kind written by the young Handel after he arrived in Rome in 1706.

BGO's two-fer reissue of Michael Chapman's most mysterious recording, Window from 1970, and its sequel, Wrecked Again, are two welcome reissues in the British singer/songwriter's CD catalog. Window is the great anomaly in Chapman's erratic, maverick career. The album was due to be recorded as a quick follow-up to the sensation that his debut, Fully Qualified Survivor, created on the British media scene. According to Marc Higgins' fine liner notes to this package, Chapman was supposed to record between touring dates. After a first demo and track session, Chapman went on tour, returning only to find that EMI had rushed 20,000 copies of the demo to print! Chapman himself warned fans off the record, telling them specifically not to buy it, but has performed songs from it in his live show continually for the last 30-plus years. The material is strong, and at this late date, nearly three and half decades after the fact, it sounds fresh. Immediacy, warmth, and the excitement of "first thought, best thought" are all over the set.

The singer with the wildcat voice, once a front man for Family and Streetwalkers, breaks out here with his first solo effort. With band politics out of the way, Chapman garners all the spotlight for himself while backed by an ensemble of friends. Although he keeps rock guitar close to him, Chapman abandons Streetwalkers' hard rock sound for a more varied style, including multiple keyboards and female backing vocals, and it's probably more a sign of producer David Courtney's influence (having previously worked with Leo Sayer). Singing cry-in-yer-ale ballads and tight rock songs, Chapman lays out the stylistic blueprint to which he keeps returning, even 20 years later. While Chapman's music was more embellished than before, most fans found that "the voice" still spoke to them.

Hopefully this reissue of Chapman's 1993 disc will find a wider audience than it managed the first time around. For those who love his late-'60s work, there's a real harking back to the classic Rainmaker in the title, and even a new version of one of his best-known songs, "Postcards of Scarborough." Doing everything himself, Chapman melds his gritty voice with thoughtful lyrics and rippling guitar work, although he does cut loose on a couple of occasions, on the instrumentals "Akublu" and "Elinkine," while his non-vocal take on "She Moves Through the Fair" glides with an almost ethereal grace. He can still write some stunning, insightful songs, like "Fool in the Night," with its remorse, or the wistful "Falling from Grace."