Treponem Pal we Are One

You never know where Phronesis will turn next, but you can count on something inventive, surprising, and still true to the identity that's made them one of the premier piano trios on the world stage. They've racked up an impressive round of extracurriculars since their previous original outing Parallax (Edition, 2016): the left-field crossover The Behemoth (Edition, 2017) saw them reinventing past material with Julian Argüelles and the Radio Frankfurt Big Band. Bassist Jasper Hoiby and pianist Ivo Neame made solo recordings (2016's Fellow Creatures and 2018's Moksha, respectively, both also on Edition) stretching their compositional muscles with electric instruments and expanded lineups, while Anton Eger continued his rhythmic explorations in improvisational electronica. Those endeavors all leave a stamp on We Are All, an ambitious work joyful in its themes of togetherness and unity.

The final Original Cast Recording from legendary composer Stephen Sondheim, 'Here We Are' is inspired by Luis Buñuel's surrealist films 'The Exterminating Angel' (1962) and 'The Discreet Charm of the Bourgeoisie' (1972). With a book by Tony Award nominee David Ives and direction by two-time Tony Award winner Joe Mantello, plus an all-star Broadway cast, 'Here We Are' follows six aristocratic friends on their search for brunch.

We Are The Children is the 1976 debut album by Hawaiian folk group Country Comfort. This features the radio hits "Waimanalo Blues", "Sunlight, Moonlight" and the title track. Originally released by Trim Records, this was reissued by Hana Ola via Cord International.

Are We Not Men? We Are Diva! is a cover album from punk rock supergroup Me First and the Gimme Gimmes. The album consists of covers of songs originally performed by divas.

Snowy White is one of the best guitarists in Rock history, and certainly the most underrated today. Playing with Thin Lizzy, Peter Green, and being chosen by Roger Waters to take Gilmour's leads in The Wall Berlin Concert did not happen by chance! But Snowy White is no session guitarist, he is rather a very talented song writer in his own right,writing songs that alternate between blues, ballads, and melodic symphonic rock, with his great solos throughout.

Even with a career that has brought us an incredible twenty-one studio albums, British folk legends Steeleye Span’s history still includes a number of records that stand out as landmarks. 1974’s Now We Are Six was one such moment, an album that saw the band expand both their line up to a six piece and with it their sound to explore even further their own unique blend of rock and folk music. A critical and commercial success, the record would provide a home to a number of band classics down the years.

With climate change and recent weather, the Shakespearean sonnet "Shall I Compare Thee to a Summer's Day?" would seem to have become a trifle outmoded. Still, where there's a Will there's a way and Nils Lindberg has set the piece to music. Lindberg is a true Renaissance man. From his home in Gagnef, a small village deep in the forests of the Swedish province of Dalecarlia, he emerges every now and again to dazzle us ordinary mortals with his many talents. Best known as a composer and arranger, he refuses to accept categorization and works with choirs, jazz bands, and symphony orchestras at will.

Philly's own Three Legged Fox are back with a brand new album. They return to the scene with "We Are Electric" their first album in over two years and their fourth album since the band's inception. We Are Electric is a blend of The Script-sounding pop, Kings of Leon-sounding alt-rock, and hints of country and reggae.

"“It’s my dream project,” Dave Stryker repeats several times in a conversation about his 34th release as a leader, As We Are, on which the guitar master addresses one of the few configurations he hasn’t tackled during 40-plus years in the jazz trenches. Stryker, not predisposed to hyperbole, isn’t exaggerating. How else to describe an opportunity to record a suite of new originals with a band propelled by all-world bass-drum partners John Patitucci and Brian Blade, fleshed out by harmonically erudite pianist Julian Shore’s bespoke string quartet arrangements that include room for a couple of soaring violin solos by the luminous Sara Caswell? Stimulated by the chance to make music together after long isolation, all members interact with crackling, pent-up energy.