Trio Schubert Aut Dem Ström

Chamber musicians Chul-Kyu Jung, Si-Hyun Lee and Min-Ji Kang joined forces in 2019 with the common goal of making a positive impact on society and founded the Amour Piano Trio. They harmonize together under the term “Love: Amour” and are looking for a way to communicate with the audience through your concerts.

Audiences and the press praise the Morgenstern Trio for their exceptional standards of chamber music and technique. Their sophisticated interpretations fascinate with well-considered, subtle nuances. Above all, their unmistakable desire for collective expression, their ever perceptible curiosity, and the immediacy of this group‘s passion for music enchant all listeners alike.

In their second album for Resonus, the Gould Piano Trio returns with a recording of Franz Schubert’s Piano Trios. Apart from a very early single movement written when he was fifteen years of age, Schubert came to the piano trio late in his short career and left only two full-length works in the form, written in 1827–8. By the time Schubert came to write his piano trios, the form had taken on a new stature thanks to work from composers such as Beethoven. Here, Schubert’s Trios in B-flat major and the ‘Notturno’ in E-flat major are joined by the delightful Valses nobles D969, composed for solo piano and heard here in a world premiere recording in this arrangement for trio by Julius Zellner.

In their debut album, the Sakuntala Trio presents the world premiere recording of Franz Schubert’s String Trio in B-flat major, D.471, in this innovative and compelling completion by Professor Brian Newbould. Of this first trio, only the first movement and the beginning of the slow movement, were penned by Schubert, before he abandoned the work, leaving a gem of a fragment. The album also features the second version of Schubert’s String Trio in B-flat major, D.581, together with a selection of Peter Warlock’s transcriptions of Henry Purcell’s Three-Part Fantasias.

To anyone who plays chamber music of any sort, Schubert’s music is a wonderful world to enter. It lifts our spirit to a dreamlike state of awe that is quite unique, with it sweeping long lines and pure poetry. The masterpieces on this cd were ‘stolen’ from Schubert’s original instrumentation. Start with the Arpeggione sonata, originally written for the ‘Arpeggione’, a bowed instrument with six strings and frets, tuned like a guitar but played like a gamba.