Trousdale Nabokov, Rushdie, And The Transnational Imagination

A number of critics and scholars argue for the notion of a distinctly Catholic variety of imagination, not as a matter of doctrine or even of belief, but rather as an artistic sensibility. They figure the blend of intellectual, emotional, spiritual and ethical assumptions that proceed from Catholic belief constitutes a vision of reality that necessarily informs the artist's imaginative expression. The notion of a Catholic imagination, however, has lacked thematic and theological coherence. To articulate this intuition is to cross the problematic interdisciplinary borders between theology and literature; and, although scholars have developed useful methods for undertaking such interdisciplinary "border-crossings," relatively few have been devoted to a serious examination of the theological aesthetic upon which these other aesthetics might hinge.
In A Theology of Criticism, Michael Patrick Murphy proposes a new framework to better define the concept of a Catholic imagination. He explores the many ways in which the theological work of Hans Urs von Balthasar (1905-1988) can provide the model, content, and optic for distinguishing this type of imagination from others. Since Balthasar views art and literature precisely as theologies, Murphy surveys a broad array of poetry, drama, fiction, and film and sets it against central aspects of Balthasar's theological program. In doing so, Murphy seeks to develop a theology of criticism.