Grover Washington, Jr.'s first album in three years (and debut for Columbia) did not yield any major hits but found him playing in prime form. Switching between his distinctive soprano, alto and tenor, Washington is joined by bassist-producer Marcus Miller, a large rhythm section and guest vocalists B.B. King ("Caught A Touch Of Your Love") and Jean Carne (on two songs). Highlights include "Strawberry Moon," "The Look Of Love," "Maddie's Blues" and "Summer Nights."
Pianist Stanley Cowell's second recording as a leader finds him leading a powerful all-star sextet that includes trumpeter Woody Shaw, Tyrone Washington on tenor, flute and clarinet, vibraphonist Bobby Hutcherson, bassist Reggie Workman and drummer Joe Chambers. The challenging repertoire (an original apiece by Cowell, Washington, Shaw and Hutcherson) falls between advanced hard bop and the avant-garde, consistently inspiring the talented players to play at their most creative. Recommended.
Reed Seed was Grover Washington, Jr.'s final album for Kudu/Motown. It was also one of two recordings his issued in 1978 – the other is the stone-killer live set Live at the Bijou. While the saxophonist had been experimenting with funk since 1971's Inner City Blues, by 1975's breakthrough recordings Mister Magic and Feels So Good, he'd perfected his groove. His appeal to fans of more radio-friendly material was ready: he had stellar grooves, very polished production, and accessible arrangements – not too mention his stellar emotive attack on any saxophone he chose to play. Many straight-ahead jazz fans dug Washington's sound as well because of his technical facility on his instruments.
Paradise written by John Blake, is one of those pieces that you can listen too and never tire off. Like a walk through paradise, it is constantly revealing beauty and discovery , awesome and spiritual for me I am close to God as i listen to PARADISE the titled song of the ALBUM.. the start of the song is leading you into paradise, and it guides you on a journey throughout Paradise as you venture on, like a ride you enjoy that stops too soon. Paradise invites you to come back again.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. One of the best Larry Young albums for Blue Note – and a record that really gets at his unique conception and style in the 60s! The session's a key bridge between Larry's soul jazz roots and his more far-reaching experimental work – filled with deep, heavy grooves – yet mixed with playful, personal touches on the Hammond – some of the most unique sounds coming from Blue Note at the time!
Following the subtly modern bent of much of The Cape Verdean Blues, Horace Silver recommitted himself to his trademark "funky jazz" sound on The Jody Grind. Yet he also consciously chose to keep a superbly advanced front line, with players like trumpeter Woody Shaw (retained from the Cape Verdean session), altoist/flutist James Spaulding, and tenor saxophonist Tyrone Washington. Thus, of all Silver's groove-centered records, The Jody Grind winds up as possibly the most challenging.