u2 The Joshua Tree (1987) [mfsl Udcd 650]

Using the textured sonics of The Unforgettable Fire as a basis, U2 expanded those innovations by scaling back the songs to a personal setting and adding a grittier attack for its follow-up, The Joshua Tree…

Using the textured sonics of The Unforgettable Fire as a basis, U2 expanded those innovations by scaling back the songs to a personal setting and adding a grittier attack for its follow-up, The Joshua Tree. It's a move that returns them to the sweeping, anthemic rock of War, but if War was an exploding political bomb, The Joshua Tree is a journey through its aftermath, trying to find sense and hope in the desperation. That means that even the anthems – the epic opener "Where the Streets Have No Name," the yearning "I Still Haven't Found What I'm Looking For" – have seeds of doubt within their soaring choruses, and those fears take root throughout the album, whether it's in the mournful sliding acoustic guitars of "Running to Stand Still," the surging "One Tree Hill," or the hypnotic elegy "Mothers of the Disappeared."

Using the textured sonics of The Unforgettable Fire as a basis, U2 expanded those innovations by scaling back the songs to a personal setting and adding a grittier attack for its follow-up, The Joshua Tree. It's a move that returns them to the sweeping, anthemic rock of War, but if War was an exploding political bomb, The Joshua Tree is a journey through its aftermath, trying to find sense and hope in the desperation. That means that even the anthems – the epic opener "Where the Streets Have No Name," the yearning "I Still Haven't Found What I'm Looking For" – have seeds of doubt within their soaring choruses, and those fears take root throughout the album, whether it's in the mournful sliding acoustic guitars of "Running to Stand Still," the surging "One Tree Hill," or the hypnotic elegy "Mothers of the Disappeared."

Using the textured sonics of The Unforgettable Fire as a basis, U2 expanded those innovations by scaling back the songs to a personal setting and adding a grittier attack for its follow-up, The Joshua Tree. It's a move that returns them to the sweeping, anthemic rock of War, but if War was an exploding political bomb, The Joshua Tree is a journey through its aftermath, trying to find sense and hope in the desperation…

It's no wonder that mandolinist David Grisman came up with the name "Dawg Music" to describe his style of playing, which draws from bluegrass, jazz, and many other forms of music. This 1978 recording has long been a favorite of Grisman's fans, as all of the compositions and performances have stood the test of time. Grisman's lively "Dawg's Bull" and guitarist Tony Rice's upbeat "Devlin'" set a high standard at the opening of the album, yet the remaining tracks continue to meet the high watermark of the first two songs. In addition to Rice's presence throughout the recording, Grisman utilizes five different bassists (only one song, "Dawgology," features two of them together), violinist Darol Anger, mandolinist Mike Marshall, and on two selections, the jazz violin master Stéphane Grappelli.

U2 - The Joshua Tree, Celebrating 30 Years of U2's Iconic Album (2017) {4CD Island Box Case Edition with Full Artwork}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.35 Gb | MP3 @320 -> 512 Mb
Full Artwork @ 600 dpi (jpg) -> 6.49 Gb | 5% repair rar
© 1987, 2017 Island Records / Universal | 00602557482577
Rock / Alternative Rock

Celebrating the thirtieth anniversary of its 1987 release, it's the ultimate collector's edition of The Joshua Tree. A live recording of The Joshua Tree Tour from Madison Square Gardens in 1987, b-sides from the original singles and new remixes from Daniel Lanois, St Francis Hotel, Jacknife Lee, Steve Lillywhite and Flood form part of this special edition of The Joshua Tree.

U2 will celebrate the 30th anniversary of their 1987 album The Joshua Tree this June, with three new editions of the album, including a four-CD super deluxe edition box set. The super deluxe edition box set (which is also available as a 7LP vinyl set) includes a remastered version of the album (update: there is a suggestion, but not official confirmation that they are using the 2007 remaster), 17 tracks performed Live at Madison Square Garden in 1987 (featuring most of the album), a disc of new remixes and a B-sides and outtakes CD. That final disc repeats most of the tracks on the bonus CD included in the 20th anniversary reissue (the SDE of which was a 2CD+DVD set), although it omits the single edit of Where the Streets Have No Name and adds an unreleased alternate mix of I Still Haven’t Found What I’m Looking For (called the ‘Lillywhite Alternative Mix ’87’) and a new 2017 mix of One Tree Hill (called One Tree Hill Reprise) courtesy of Brian Eno.

Robbie Robertson was once asked why he waited 11 years after the breakup of the Band to release a solo project, and he replied, "I wasn't so sure I had something to say." One can hear a bit of this thinking in Robertson's self-titled solo debut; it's obvious that he didn't care to revisit the country- and blues-flavored roots rock that had been his bread and butter with the Band, and at the same time Robertson seemed determined to make an album that had something important to say, and could stand alongside his legendary earlier work…