Ultra Vomit et le Pouvoir de la Puissance

Mune Le Gardien De La Lune is a 2014 French animation film directed by Alexandre Heboyan & Benoit Philippon and starring Omar Sy, Izia Higelin and Michael Gregorio. When a faun named Mune becomes the Guardian of the Moon, little did he had unprepared experience with the Moon and an accident that could put both the Moon and the Sun in danger, including a corrupt titan named Necross who wants the Sun for himself and placing the balance of night and day in great peril. Now with the help of a wax-child named Glim and the warrior, Sohone who also became the Sun Guardian, they go out on an exciting journey to get the Sun back and restore the Moon to their rightful place in the sky. The score is composed by Bruno Coulais…

Huguette Grémy-Chauliac est une claveciniste française née le 8 juillet 1928 à Paris. Avant de se consacrer pleinement à la musique, Huguette Grémy-Chauliac s'orienta vers l'archéologie en suivant les cours d'archéologie romaine de l'École du Louvre de 1947 à 1949. Le clavecin, dont elle deviendra une interprète majeure, ne fut pas son premier instrument de prédilection, puisqu'elle étudia d'abord le piano auprès de Blanche Bascouret de Gueraldi, Germaine Willaume, Joseph Morpain, Lucette Descaves et Yves Nat.

Hans, le joueur de flûte is a ravishing opera, loosely based on the legend of Hamelin’s pied piper popularized notably by the Grimm Brothers, composed by Louis Ganne and premiered in Monte-Carlo in 1906. Rarely recorded, its best rendition is undoubtedly this beautiful 1967 performance with the best French singers of their time, including Liliane Berton and the amazing baritone Michel Dens in the title-role.

Petro Torri is one of the least known and at the same time best composers which lived at the Münich Palace. Around 1665 he was born in Peschiera by the Gardasee. His musical education is unknown. Until his death in 1732 he composed for the Wittelbachischen noble house. After the defeat at the battle of Höchstadt 1704 Torri moved to Brussels and there he worked as "maître de chapelle" at the church of St. Gundule, after the invasion of Brussels by the English 1706, Max Emanuelle fled. After the armistice of Rastatt (1714) Torri started composing again of which the cantata "Le triomphe de la paix" was the product. Beside this piece in the French style the recording also includes "Magnificat à 15 et più" and "Veniat dilectus meus".

Sandrine Piau’s first recital for the ALPHA Label, with Susan Manoff (Chimères – Alpha 397), proved an enormous hit (Diapason d’Or of the year, Choc of the year, and Gramophone Editor’s Choice). Her new project is a recital with orchestra celebrating French song of the period when it moved from the private salon to the concert hall. Planned in partnership with the Palazzetto Bru Zane, this programme evokes anticipation, desire, pleasure, memory, in short all the vagaries of love experienced by a romantic heroine… To verses of the poets Hugo, Lamartine, Gautier, and Verlaine, Sandrine Piau has selected song settings by Saint-Saëns (L’attente, Papillons), Massenet (Extase, Aimons-nous), and Vierne, as well as by the rarely-heard Dubois, Guilmant, and Bordes…

How to read Ronsard today? Simply aloud or in singing it, like back then. Because, for Ronsard, nothing is more obvious than to unite music and poetry: “I also want you to encourage you to pronounce your verses loudly in your room, when you do them, or sooner sing them, whatever voice can have. » Ronsard, Abbrégé de l’Art poétique françois, 1565 As soon as the collection of Loves was published, it was fashionable for a composer to set these poems to music. To quote the most famous: Goudimel, Certon, and of course Janequin. But long after death of the poet, many composers have continued to do so: Bizet, Saint-Saëns, Ravel, Poulenc… It is because Ronsard’s texts have no no age; Pick the roses of life today is a principle immortal. Julien Joubert reads poetry every day, aloud and even the most often while singing. It was therefore only natural that he lean on the work by Ronsard.