Blues- and Gospel-Rooted Jazz Brilliance Sparks with Diversity, Personality, and Individualism: Mastered from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies.
Trapped in the sound of 1982, Gil's Um Banda Um album is covered with canned keyboards and synthesizer on virtually every track. And since it's not the best collection of songs he ever released, it's difficult for the listener to get into even after managing to focus on the songs. Though the joyous, nearly five-minute title track is a highlight, there's just a bit too much synthesizer on these songs. If it wasn't for Liminha's rather understated production, Um Banda Um would probably be rated even worse.
A leader of the Tropicalia movement in Brazil in 1967 and 1968, along with artists like Caetano Veloso and Gal Costa, Gilberto Gil and other musicians mixed native styles with rock and folk instruments. Because Gil fused samba, salsa, and bossa nova with rock and folk music, he's recognized today as one of the pioneers in world music. A multi-instrumentalist and singer/songwriter, Gil joined his first group, the Desafinados, in the mid-'50s and by the beginning of the '60s was earning a living as a jingle composer. Although known mostly as a guitarist, he also holds his own with drums, trumpet, and accordion.
Charles Mingus' debut for Columbia, Mingus Ah Um is a stunning summation of the bassist's talents and probably the best reference point for beginners. While there's also a strong case for The Black Saint and the Sinner Lady as his best work overall, it lacks Ah Um's immediate accessibility and brilliantly sculpted individual tunes. Mingus' compositions and arrangements were always extremely focused, assimilating individual spontaneity into a firm consistency of mood, and that approach reaches an ultra-tight zenith on Mingus Ah Um. The band includes longtime Mingus stalwarts already well versed in his music, like saxophonists John Handy, Shafi Hadi, and Booker Ervin; trombonists Jimmy Knepper and Willie Dennis; pianist Horace Parlan; and drummer Dannie Richmond…
This 1998 release by Brazilian percussion god Dom Um Ramao marks his first solo recording in more than 30 years. Romao has been an in-demand session player since the mid-'60s and was one of the founding members of Weather Report. His own albums on the late, great Muse label, one named eponymously and the other entitled Spirit of the Times, were rhythm orgies that pasted together all of the traditions he'd worked in up until that time: from Sergio Mendes and Sinatra to Flora, Airto, and Weather Report. Rhythm Traveler is a return, of sorts, in that it is an engagement with Brazilian song forms from both folk musics and popular song, all translated through a jazzman's manner of hearing.