Jumbo's second album was recorded very soon after their debut and its release happened the same year. Still on the Phillips label, but offering a rather controversial gatefold artwork (with as well as an equally debate-sparking title, musically speaking, there is a world of difference between their debut and DNA, almost a genetically modified change, if you will…
Here are two concerts for Carlo Graziani's cello and orchestra, rarely listening to the artist's Berlin period, until 1772. These are two concerts of pleasing listening, in the galante-classical style with a fairly virtuoso cello, which is particularly pronounced in cadences. Marco Testori, specialist of the period and of the historical-informed execution practice, gives us a fine interpretation, well supported by the orchestra of the musicians of St. Pelagia, directed by Vanni Moretto. Good, though a bit tight, the booklet that accompanies the cd and clean and detailed sound reproduction.