Uriah Demons

After scoring back-to-back album hits with Demons and Wizards and The Magician's Birthday, Uriah Heep had suddenly become a major attraction in the world of rock & roll. They capitalized on their newfound popularity with extensive touring and, since they lacked the time in their schedule to knock out a new studio album, their label decided they should release a live album to fill the gap. The result was Live: January 1973, the definitive live recording of the classic Uriah Heep lineup and a good indication of what made the group so popular among heavy metal fans during their heyday. The set list represents all the highlights of their albums up to the point, and everything is delivered with maximum energy before an enthusiastic Birmingham, England, crowd.

Evoking an era when prog, hard rock and heavy metal co-existed in an era of glorious, boundary-breaking music, the songs on this 2CD and digital collection trace the evolution of Heep from inexperienced studio musicians with everything to prove to bona fide, limo inhabiting rock stars. The Anthology cherry picks tracks from some of Heep’s most celebrated albums including ‘Demons And Wizards’, ‘Look At Yourself’, ‘Return To Fantasy’, ‘Equator’, ‘Conquest’ and ‘The Magician’s Birthday’. Created with the full collaboration of Heep themselves and curated by guitarist and founder member Mick Box, the reissues come as 2CD expanded packages, with the original album on CD1 re-mastered by renowned engineer Andy Pearce of Lou Reed and Black Sabbath fame and complete with liner notes in extensive booklet with rare photos by the bestselling rock author Joel McIver. Box and Heep’s sometime member Ken Hensley, composer of many of the band’s best-known songs, contribute to each album’s notes.

Blending plain old hard rock with prog rock tendencies and a clear ear for a good radio-ready pop hook, Uriah Heep never exactly wowed the critics, perhaps because their lyrical fascination with wizards and demons could make them seem as addled as Spinal Tap in that band's famous Stonehenge concert scene. But critics don't make rock memories, and Uriah Heep, despite countless lineup changes, remained a steady band that played at being outlaws on the run and produced at least a couple of enduring rock radio classics in the early '70s, most notably their fun versions of "Stealin'" and "Easy Livin'," both of which present the band at its best. This set has both of those songs, plus other bare-bone essentials like "Lady in Black" and "The Wizard," and for most casual fans, it'll fill the bill.

This album was the debut of Uriah Heep, an English band that would become one of the Titans of the '70s heavy metal sound. Despite their eventual hard-rocking reputation, Very 'Eavy… Very 'Umble finds the band trying on different stylistic hats as they work towards finding their own sound…

Wonderworld continues in the vein of Sweet Freedom, trying to bring Uriah Heep's appeal to a wider level while still retaining the grandiose trademark elements (the organ-guitar attack, David Byron's operatic shriek) that got them noticed. The result is an album that is solid but not as inspired as Look at Yourself or Demons and Wizards. The hard rock quotient is a little stronger on this album than it was on Sweet Freedom: "Something or Nothing" is a galloping stomp-rocker in the vein of past classics like "Love Machine" and "Suicidal Man" is an organ-fortified speed-rocker that is one of the band's finest hard rock tunes.

The Magician's Birthday is the fifth album by British rock band Uriah Heep, released in 1972 by Bronze Records in the UK and Mercury Records in the US. The concept was "based loosely on a short story" written by Ken Hensley in June and July 1972. In a retrospective review, Sputnikmusic praised The Magician's Birthday, saying, "Though probably not as cohesive as it could be, it still offers plenty of highlights, earning its place among Heep's finest albums". Reviewer Daniel Dias singled out "Sunrise", noting that it was "a highlight in Heep's catalog and one of the band's finest progressive rock ballads". AllMusic noted the album's prog elements as well, and said, "The Magician's Birthday never quite hits the consistent heights of Look at Yourself or Demons and Wizards but remains a solid listen for Uriah Heep fans". The Magician's Birthday was certified Gold on 22 January 1973.

The Magician's Birthday is the fifth album by British rock band Uriah Heep, released in 1972 by Bronze Records in the UK and Mercury Records in the US. The concept was "based loosely on a short story" written by Ken Hensley in June and July 1972. In a retrospective review, Sputnikmusic praised The Magician's Birthday, saying, "Though probably not as cohesive as it could be, it still offers plenty of highlights, earning its place among Heep's finest albums". Reviewer Daniel Dias singled out "Sunrise", noting that it was "a highlight in Heep's catalog and one of the band's finest progressive rock ballads". AllMusic noted the album's prog elements as well, and said, "The Magician's Birthday never quite hits the consistent heights of Look at Yourself or Demons and Wizards but remains a solid listen for Uriah Heep fans". The Magician's Birthday was certified Gold on 22 January 1973.