Uswell Hillbillies Everybody's in Show Biz

The Kinks’, Muswell Hillbillies and Everybody’s In Show-Biz – Everybody’s a Star released through BMG in celebration of the 50th Anniversary. It combines two of the Kinks’ classic 1970’s albums - Muswell Hillbillies, the album the band toured in America; and helped define them as a rock band in the U.S.. And Everybody’s In Show-Biz – Everybody’s a Star; the album that was written in reflection of the tour.

The Kinks’, Muswell Hillbillies and Everybody’s In Show-Biz – Everybody’s a Star released through BMG in celebration of the 50th Anniversary. It combines two of the Kinks’ classic 1970’s albums - Muswell Hillbillies, the album the band toured in America; and helped define them as a rock band in the U.S.. And Everybody’s In Show-Biz – Everybody’s a Star; the album that was written in reflection of the tour.

Sony's 2016 Legacy edition of Everybody's in Show-Biz turns the 1972 double-LP into a double-CD set by mining the March 1972 Carnegie Hall recordings that provided the album with its live second disc. Thirteen of the 17 songs on the second CD come from these live tapes, the exceptions being the unreleased completed outtake "History" – a slightly dreamy, wry look back at the past that feels like a gateway to Preservation – the backing track to "Sophisticated Lady," and alternate mixes of "Supersonic Rocket Ship" and "Unreal Reality." These are nice footnotes, but the story lies in the live tracks, which offer more of the same from the original record.

Everybody's in Show-Biz is a double album with one record devoted to stories from the road and another devoted to songs from the road. It could be labeled "the drunkest album ever made," without a trace of hyperbole, since this is a charmingly loose, rowdy, silly record. It comes through strongest on the live record, of course, as it's filled with Ray Davies' notoriously campy vaudevellian routine (dig the impromptu "Banana Boat Song" that leads into "Skin & Bone," or the rollicking "Baby Face"). Still, the live record is just a bonus, no matter how fun it is, since the travelogue of the first record is where the heart of Everybody's in Show-Biz lies. Davies views the road as monotony - an endless stream of identical hotels, drunken sleep, anonymous towns, and really, really bad meals (at least three songs are about food, or have food metaphors)…

Everybody's in Show-Biz is a double album with one record devoted to stories from the road and another devoted to songs from the road. It could be labeled "the drunkest album ever made," without a trace of hyperbole, since this is a charmingly loose, rowdy, silly record. It comes through strongest on the live record, of course, as it's filled with Ray Davies' notoriously campy vaudevellian routine (dig the impromptu "Banana Boat Song" that leads into "Skin & Bone," or the rollicking "Baby Face")…

Everybody's in Show-Biz is a double album with one record devoted to stories from the road and another devoted to songs from the road. It could be labeled "the drunkest album ever made," without a trace of hyperbole, since this is a charmingly loose, rowdy, silly record. It comes through strongest on the live record, of course, as it's filled with Ray Davies' notoriously campy vaudevellian routine (dig the impromptu "Banana Boat Song" that leads into "Skin & Bone," or the rollicking "Baby Face")…