The '70s gave us a slew of classic hard rock albums and though it hasn't had the lasting influence of, say, Boston's or Aerosmith's first albums, Montrose's eponymous debut proved equally influential and important in its day. Released in 1973, the record also introduced a young Sammy Hagar and his powerful vocals to the world, but the explosive aggression of Ronnie Montrose's biting guitar left no doubt as to why it was his name gracing the cover…
With her mind-blowing mix of heavy metal guitar prowess and bluesy, soulful vocals, Orianthi will draw some justifiably well-earned comparisons to such giants of rock guitar as Jimi Hendrix and her own idol, Carlos Santana, on her 2009 sophomore album, Believe – re-released in 2010 as Believe (II) with four different songs than the original version, including a cover of John Waite's "Missing You." That said, her style hews closer to the more finger-frenetic pyrotechnics of such '70s and '80s icons as Eddie Van Halen and Steve Vai. Throw in her ability to sell a lyric and carry a strong melodic vocal phrase while also throwing down some devastating slabs of heavy metal riffage, and she starts to look a heckuvalot like the fantasy love child of Prince and Lita Ford.
This live double album, recorded in 1981 but not released until five years after Randy Rhoads' death, showcases a hard rock guitarist whose all-around ability was arguably second only to Eddie Van Halen. Osbourne leads his best band lineup through the entire Blizzard repertoire, plus a few Diary and Sabbath numbers…
After a steady decline in both inspiration, mental stability, and commercial appeal throughout the second half of the '70s, metal icons Black Sabbath were reborn with 1980's Heaven and Hell. The album would be their first with new vocalist Ronnie James Dio, whose passionate, controlled wail broke new ground for the band and helped drive a comeback. 1981's Mob Rules was a quick follow-up to Heaven and Hell, continuing the momentum of that record's energy as well as its shift away from dark metal to more commercial hard rock…
With her mind-blowing mix of heavy metal guitar prowess and bluesy, soulful vocals, Orianthi will draw some justifiably well-earned comparisons to such giants of rock guitar as Jimi Hendrix and her own idol, Carlos Santana, on her 2009 sophomore album, Believe. That said, her style hews closer to the more finger-frenetic pyrotechnics of such '70s and '80s icons as Eddie Van Halen and Steve Vai. Throw in her ability to sell a lyric and carry a strong melodic vocal phrase while also throwing down some devastating slabs of heavy metal riffage, and she starts to look a heckuvalot like the fantasy love child of Prince and Lita Ford.