Venus Square Pluto Synastry Forum

The Jackson 5: Live At The Forum is a 2-CD set released June 29, 2010 that uncovers an amazing chapter from the phenomenal career of Michael Jackson and his brothers in the J5: their extraordinary performances from the Los Angeles Forum, recorded in June 1970 and August 1972–the first at the start of their rapid ascent to stardom, the second when they became established icons. These brilliant shows have not been released in any form until now, the 40th anniversary of the 1970 show.

On "Venus Rising", the trio SR9 and singer Kyrie Kristmanson bring works by female composers from different centuries - from Hildegard von Bingen to Kate Bush - to new life with their arrangements.

Encompassing astronomy, mythology, psychology, and astrology, Pluto offers a wealth of knowledge about our most famous dwarf planet. First observed in 1930 and once defined as the ninth and final planet in our solar system, Pluto and its discovery and reclassification throw a unique light on how we generate meaning in science and culture.

Mickey's best pal Pluto continues to light up the screen as leading dog in more of his adventure-filled cartoons. Putting the spotlight on his comical antics from 1947 through 1951, this volume includes the inspired "Bone Bandit" of 1948 and the 1951 classic "Plutopia." The treats continue with three rarely seen shorts featuring Pluto's feline nemesis Figaro, and a revealing exploration of a classic Pluto short. Plus, contemporary Disney master animators discuss their favorite Pluto moments and the art and craft behind them. It's no wonder Mickey's faithful pup became top dog around the world. Featuring exclusive introductions by film historian Leonard Maltin, this is a timeless collection from generations past for generations to come.

Was John Coprario taking credit for someone else’s work when, under his own name, he made transcriptions of more than fifty Italian madrigals for a consort of viols? Such an accusation would be based on false premises, as anything resembling copyright was unknown at the beginning of the seventeenth century and for long afterwards; the use of musical material by someone else was rather considered as a respectful examination of ideas that were so promising that one wanted to think them through further.