Vincenzo Bilof

5th in Vencenzo Ricca’s Italian ‘Rome Pro(G)ject’ excellent series of mostly instrumental vintage keyboard driven symphonic Prog albums!

Donizetti's great tragedy is his undisputed masterpiece of melancholic romanticism, with the doomed love between Lucia and Edgardo retold from Sir Walter Scott's novel The Bride of Lammermoor. The 1992 production heightens the story’s powerful libretto with its dramatic visual design and first class musical performances.

This recording of lute music may be of most interest to fans of the lute and of the Renaissance-Baroque transition era, but it will be of considerable interest to them: it marks the first recording of the Libro d'intavolature di liuto, or Book of Lute Tablatures, of Vincenzo Galilei (1584). Galilei was the father of none other than astronomer Galileo. The work is given the title The Well-Tempered Lute here; that was not Galilei's title, but the music was apparently the first collection intended to demonstrate the possibilities of equal temperament that Bach would exploit so dramatically a century and a half later. Some scholars have opined that this was a primarily theoretical work; as music, it is both technically difficult and a little monotonous, consisting of groups of dances that may or may not have been danced to. Lutenist Žak Ozmo makes a good case for these little pieces as performer's music, differentiating learned counterpoint from works of a more expressive character.

Any new recording of the complete Nocturnes by Frédéric Chopin rouses the interest: in the field of countless existing recordings, does the pianist have something new to say? Inspired by but not imitating the great masters of the Golden Piano Age, Vincenzo Maltempo presents the Nocturnes as dramatic tone poems with a strong narrative, based on the art of rhetoric and Belcanto. As a means to the expression of his ideas, he found an 1888 Steinway grand with an exceptionally wide dynamic range and singing tone. The result is an enervating and moving journey through these eternal masterpieces!

The father of the controversial scientist Galileo, Vincenzo Galilei was not only a lutenist, singer and composer but also a prolific music theorist. He wrote several important treatises and was an active member of the Florence Camerata of his patron Giovanni de Bardi, with its aim of reviving the ancient Greek ideals of the union of music and poetry. Galilei studied music theory with Zarlino in Venice, where he published his first major theoretical work Fronimo, with its practical illustrations of expressive lute tablature, in 1568. His published music included collections of madrigals and of lute tablature, while his other writings reveal a modern approach to theoretical questions of his time.