Vitaa Folle Comme ca

NRJ's new bottom-hole three-disc compilation "NRJ Hit Music Only 2020" is starting to prepare us for the coming year. NRJ - N ° 1 compilations, NRJ brand is synonymous with success. Mega stars of the world music scene, gathering crowds of enthusiastic fans around the globe, combined their latest hits on this compilation. As a result, music lovers get a truly explosive cocktail of the most hit tracks of dance music!

Born in Strasbourg in 1945, French crooner Herbert Léonard started his career as guitarist in Les Lionceaux in the mid-'60s before he decided to go it alone following two years of military service. He found fame with French-language versions of Gene Pitney's "Something's Got a Hold of My Heart" ("Quelque Chose Tient Mon Coeur") and Jefferson Airplane's "Somebody to Love" ("Pour un Peu d'Amour"), but struggled to sustain his success in the '70s, when he instead devoted his time to writing books on his other main passion, Russian aircraft from World War II.

Cette nouvelle intégrale retrace la fructueuse carrière de Dalida. Elle reprend sa discographie française originale depuis les tout premiers enregistrements de 1956 jusqu'aux derniers grands succès parus en 1987, sans oublier des titres live, moments forts de l'artiste sur scène. Et pour la première fois, elle offre des interviews rares où la voix de Dalida nous parvient sincère et touchante. L'intégrale "Les Diamants Sont Eternels" est présentée dans un luxueux écrin.

The Charlie Shavers & Ray Bryant Quartet - Complete Recordings Vol.1-3 (1958-64) {3CD 2005 Lone Hill Jazz Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.13 Gb | MP3 @320 -> 526 Mb
Full Artwork @ 300 dpi (jpg) -> 150 Mb | 5% repair rar
© 2005 Lone Hill Jazz | LHJ 10182~84
Jazz / Bop / Trumpet / Piano

Pure and simple genius from trumpeter Charlie Shavers – a player with a sweet tone and a fluid groove – stepping out here with great accompaniment from pianist Ray Bryant! The CD brings together work from the albums Charlie Digs Paree and Charlie Digs Dixie – both originally recorded for MGM Records in the late 50s, and done in a clean, uncluttered style that really brought a strong focus to Shaver's solos, but also gave some excellent rhythmic support from Bryant – working here at the height of his early powers, in a mode that's clearly relaxed enough to get with the spirit of each different session.