Vivaldi Lp, Vinyl Rip

Essential: a masterpiece of progressive rock music
This is a great double album, It's definitely something you should look for if you love a lot of variety in your instrumental repertoire because this one has something for everyone and it is all done very professionally.

Essential: a masterpiece of progressive rock music
Congreso are another band I was introduced to on Progarchives, and one I took an almost instant liking to.

While not the entire score, which would be impossible to assemble on a double let along a single disc, the music contained herein from Stanley Kubrick’s stellar motion picture Barry Lyndon — that starred Ryan O’Neal in the only time he ever actually acted, as well as Marisa Berenson — is a mixed bag of the most delightful sort.

Excellent addition to any prog rock music collection.
Steve's second solo album is a really nice record, presenting to the listener a palette of guitarist's styles in a honest and enjoyable way.

Essential: a masterpiece of progressive rock music.
At the age of 13 prog rock was too complex for me, I couldn't bear the sound of YES, ELP and KING CRIMSON that I heard from the older brothers of some friends.

Excellent addition to any Rock music collection.
It was interesting to listen what kind of result comes from the musical vision of King Crimson’s court lyricist and its musicians without the presence of Robert Fripp…

To mark the 50th anniversary of the pianist’s death, EMI has brought out the largest and most comprehensive Cortot collection ever. The set offers nearly every commercial studio recording released under Cortot’s name on 78 shellac, vinyl LP, 45 rpm single, or compact disc, including unpublished takes already released on CD. To be sure, it is not quite “The Complete Cortot”. For example, the collection omits Cortot’s 1903 sessions accompanying soprano Felia Litvinne, plus a 1925 recording containing the second half only of Chopin’s First Ballade coupled on shellac with the same composer’s Second Impromptu. There is no broadcast material, either. However, we do get Cortot’s unpublished 1957 Chopin Preludes and Ballades, along with a few samples from the pianist’s long-rumored, unfinished Beethoven cycle recorded at the Ecole Normale in 1958/59