One of rock's more elaborate, beguiling and strangely rewarding concept albums, this double-vinyl classic stars the ever-theatrical Peter Gabriel as Rael, a Puerto Rican street punk who descends into the New York underground to experience a series of surreal adventures. ("It seemed that prancing around in fairyland was rapidly becoming obsolete," Gabriel explained to his biographer.) Bassist Mike Rutherford, however, wanted to base the band's last album with Gabriel, who'd announced his intention to leave Genesis, on Saint-Exupéry's The Little Prince.
If you're willing to count his work in such early regional bands as the Prime Movers and the Iguanas, Iggy Pop has been playing rock & roll for over 40 years as this compilation hits the stores – meaning there are guys in big-league rock bands who've spent years trying to be Iggy but weren't even alive when the guy first started plugging into the Real O Mind. That, dear readers, is influence, and while the man has had more than his share of creative ups and downs over those four decades, one spin of A Million in Prizes: The Anthology tells you why Iggy has always mattered, and still does – he has never lost the ability to plug into the primal madness and furious belief that separates great rock & roll from ordinary stuff, and he can call up that near-demonic passion on a regular basis…
Steve Hackett's last release for Charisma Records in Britain is one of his strongest efforts. Hackett once again handles all the lead vocals, but sounds more assured in the role than he did on Cured. This album spawned Hackett's one and only solo hit single, "Cell 151," which charted in Britain…
Calling All Stations (stylised as …Calling All Stations…) is the fifteenth studio album by rock band Genesis. Released in 1997, the album was recorded following the departure of longtime drummer/vocalist Phil Collins from the band in 1996, leaving only keyboardist Tony Banks and guitarist/bassist Mike Rutherford from earlier incarnations of the band…
Marking Manzanera's tenth year of as a professional musician, Primitive Guitars means to be a looking back at his stylistic growth through a series of solo pieces that take in the various stages of his life: childhood in South America, adolescence in London, stints in Roxy Music, 801, and other projects. These are hinted at in the titles ("Caracas," "Bogota," "Ritmo de Los Angeles") and often in the Latin influences of the melodies and playing styles. On all these pulsing, groove-centered instrumental tracks, Manzanera is backed only by a drum machine and, on one tune, John Wetton on bass. Otherwise all the diverse sounds, noises, melodies, and rhythms have been created on guitar, linking Manzanera to another progressive virtuoso, Adrian Belew. In between tracks, Manzanera inserts snatches of dialogue recorded at various rehearsals, making this a successful, very personal album.
Danger Money is the second and final studio album by the progressive rock supergroup U.K., featuring John Wetton , Eddie Jobson and Terry Bozzio. It was released by E.G. Records / Polydor in March 1979…
A universally acknowledged masterpiece, Another Green World represents a departure from song structure and toward a more ethereal, minimalistic approach to sound. Despite the stripped-down arrangements, the album's sumptuous tone quality reflects Eno's growing virtuosity at handling the recording studio as an instrument in itself (à la Brian Wilson). There are a few pop songs scattered here and there ("St. Elmo's Fire," "I'll Come Running," "Golden Hours"), but most of the album consists of deliberately paced instrumentals that, while often closer to ambient music than pop, are both melodic and rhythmic…
Iommi is Black Sabbath guitarist Tony Iommi's first official solo album. He came close before. 1986's Seventh Star was supposed to be, but Warner Bros. insisted on calling it a Black Sabbath Featuring Tony Iommi record for marketing purposes. In a way, Iommi is nearly a Black Sabbath tribute album since its ten songs each feature an all-star guest vocalist…
The last album with Rob Dean, Gentlemen Take Polaroids was also unquestionably the album in which Japan truly found its own unique voice and aesthetic approach. The glam influences still hung heavy, particularly from Roxy Music, but now the band found itself starting to affect others in turn…
Partially growing out of their success in the country they were named after, as well as growing friendship and affiliation with such bands as Yellow Magic Orchestra, Japan made their most unique, challenging, and striking album in Tin Drum…