Vocal Effect

The Beatles’ revolver has become a new era album that uniquely identifies what it was. The music nature of the Beatles that extended the Oldies of the 50’s left the residue up to around “BEATLES FOR SALE”, the treatment of the world is idle, and actually “HELP” has “four people The idol “is given to the title. But the high artistic glimpse of that “HELP” was deepened with “RUBBER SOUL”, indicating that the Beatles were becoming an existence that does not fit within the idol category of one. Until then, I had been doing a tour in parallel with recording, but after stopping the tour in 1966, I will combine the styling of studio work and make ‘Sargent Peppers’. This album gets a high reputation both inside and outside, but it seems that “revolver” was the reason for its production. Indeed there are also reasons for time, but there are many songs that are difficult to reproduce on the stage with the technology at the time, without having played one song from the “revolver” at the stage. The “Paperback · Writer” which was the same period recording that was only released as a single was only played on the 1966 tour, “Rain” on the reverse side uses reverse rotation of the tape It was impossible. The Beatles must have perceived the real pleasure and entertainment of studio production with ‘revolver’. It should have thought that if it takes more time it will be able to create a more dense album. That was connected to Sargent Pepper’s discontinuance of the tour activity afterwards.

A perfect vocal track is the key element of almost every song. That’s where TrapTune steps forward. This mighty vocal effect can become the only tool you might need for it. TrapTune is (not just) an automatic tuner which can give you everything from subtle pitch correction to the strong artificial Cher-effect. Combine it with a second voice harmony, doubler and special FX section to get a vocal track that really stands out.

Vocal Doubler is a new plugin from iZotope that, as its name suggests, is designed to add a doubling effect to your vocals. It can be used when you want a richer tone and more depth.

Both commercially and creatively, Side Effect did not live up to its enormous potential. The vocal group had a very attractive sound, and with the right material, it could have been huge. But unfortunately, Side Effect often settled for decent when it should have been excelling. Nonetheless, the quartet did have its moments. In 2002 long after Side Effect's breakup Fantasy reissued its first two albums (1975's Side Effect and 1976's What You Need) back to back on this 73-minute CD.

The AVOX 4 Antares Vocal Toolkit combines 11 of our state-of-the-art vocal processing plug-ins to give you the power you need to create stunning vocal tracks in any musical style, as well as design unique vocal effects for audio post-production applications.

120 tracks of best lounge music, in six parts: 'Cocktail Time', 'Electro Swing', 'Vintage Lounge', 'Brazilian Sounds', 'Chic & Glamour', 'Spirit Of Chill-Out'.

Live at Fillmore West, San Francisco, CA. USA 29th April 1970. Stereo soundboard recording (UPGRADE).
Pink Floyd ‘s long – awaited stereo SBD sound source is finally back with accompanying decisive sound quality improvement!!
Sigma, and its predecessor Sirene label, sold out and out of print Floyd unofficial sound source, there are some that are particularly persistent desire to reappear is not that our shop is overlooking. For example, “THE PINK JUNGLE (Sigma 28)”, “DOUBLE BUBBLE (Sirene – 008)”, “RACIAL VIOLENCE (Sirene – 024)” etc are representative, but most of them are expensive at the second – hand market It is becoming a premium title to become a match. “WESTWORLD (Sigma 4)” that appeared in October 2007 when Sigma label was first launched is one of them, and this sound source that recorded the legendary 1970 Fillmore West with stereo SBD only once in 2014 is a distribution route and Genes Since the same source of different branches of branches came out as a bonus board (* note 1), it has been breathing again and has reached the present.

Learn to use your voice to create a state of stability, wholeness and connection with the earth and the Divine