Vol 27

The next installment of the Grateful Dead’s Dave’s Picks series of live archival releases is the first to pull from the band’s mid ’80s period. Dave’s Picks Volume 27 features the Grateful Dead’s September 2, 1983 performance at the Boise State University Pavilion in Boise, Idaho and is due on July 27.

"That'll Flat… Git It!" is one of the best compilations of the 1950's rockabilly. Each volume contains nearly 30 songs, mostly rockabilly classics and unknown great artists. In spite the tracks were remastered, you can hear some noise, especially in the end of the tracks. This is because many songs were taken from original vinyl singles.

Charlie Parker Records: The Complete Collection, Vol.27 - Charlie Parker, Historical Masterpieces 1 (2012 CP Records 233193/27}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 140 Mb | MP3 @320 -> 98 Mb
Full Artwork @ 600 dpi (jpg) -> 59 Mb | 5% repair rar
© 1948-50, 2012 Charlie Parker Records / Membran Media / Documents | 233193 / 27
Jazz / Bop / Saxophone

Exhaustive 30 CD collection from the Jazz legend's short-lived label. Contains 44 original albums (421 tracks) plus booklet. Every record-collector has run across an album with the little sax-playing bird in it's label-logo, right next to the brand name Charlie Parker Records or CP Parker Records. Turning the sleeve over, especially if it was one of the non-Parker releases, and seeing a '60s release date under the header Stereo-pact! Was as exciting an experience as it was confusing. Was the claim Bird Lives meant more literally than previously thought?

It is surprising, given the popularity of the repertoire, that all the recordings of Saint-Saëns' complete concertos currently before the public pre-date the CD era and none of them are fully digital. In addition it has never before been possible to obtain all the composer's output for piano and orchestra on only two CDs. For these reasons alone this latest addition to the 'Romantic Piano Concerto' series is likely to become one of the most successful of all. The Gramophone 'Record of the Year' winning team of Stephen Hough and the CBSO are joined by their new principle conductor Sakari Oramo in performances which combine all the elegance required for the Frenchman's music with the utmost bravura. Saint-Saëns himself was a formidable pianist and his rare 1904 (!) 78rpm recording of Africa has until now been matchless; finally in Stephen Hough's performance he has a rival.