"Music From Five Centuries: 17th C. - 21st C." is a kaleidoscopic presentation of short musical works belonging to a multitude of epochs, genres and styles, from J.S. Bach, Handel, Couperin and Biber, to Mozart and Beethoven, to romantic, contemporary, blues, folk, jazz and rock compositions. Violinist Elmira Darvarova (the first and only woman-concertmaster of the Metropolitan Opera Orchestra) and hornist Howard Wall (a New York Philharmonic member, formerly with The Philadelphia Orchestra) have selected, arranged and transcribed a number of compositions (some originals, some transcriptions), to compile a Double album release, brimming with a large number of world-premiere recordings (40 out of 45 tracks).
Cherry Healey and Simon Lycett tell the story of how the flowers we buy travel across the world via Aalsmeer Flower Auction in Holland to reach us every day in pristine condition. We reach for flowers to express our most fundamental human emotions - from passionate love to abject apology, joyful celebration of our mums or profound grief of a loved one. We relish our flowers so much, that this year we are predicated to spend £2.2 billion on treating ourselves and others to the prefect bouquet.
At the center of "Pale Flower" stands a very quiet man, closed within himself, a professional killer. He works for a gang in the Yakuza, the Japanese Mafia, and as the film begins he has returned to Tokyo after serving a prison sentence for murder. He did the prison time as the price to be paid for committing a murder, but although we see his gang boss several times, even in a dentist's chair, there is no effort to make him seem worthy of such loyalty. He is an ordinary older man. Muraki (Ryo Ikebe), the yakuza, seems loyal more to the ideal of loyalty, a version of the samurai code. It is his fate to be a soldier and follow orders, and he is the instrument of that destiny. He thinks his crime was "stupid," but he is observing, not complaining.
At the center of "Pale Flower" stands a very quiet man, closed within himself, a professional killer. He works for a gang in the Yakuza, the Japanese Mafia, and as the film begins he has returned to Tokyo after serving a prison sentence for murder. He did the prison time as the price to be paid for committing a murder, but although we see his gang boss several times, even in a dentist's chair, there is no effort to make him seem worthy of such loyalty. He is an ordinary older man. Muraki (Ryo Ikebe), the yakuza, seems loyal more to the ideal of loyalty, a version of the samurai code. It is his fate to be a soldier and follow orders, and he is the instrument of that destiny. He thinks his crime was "stupid," but he is observing, not complaining.