Walter Gieseking’s Bach interpretations have long been celebrated and are still praised as being modern and contemporary. His legendary 1950 broadcasts, later released on the Heliodor label, included many of Bach’s important works such as The Well-Tempered Clavier, Partitas and Inventions. For the first time, Deutsche Grammophon presents all these recordings, newly remastered, in one original jackets collection. A 7-CD original-jackets collection, newly remastered presenting all of Walter Gieseking’s 1950 Bach broadcasts for Radio Saarbrücken.
This is pure German psychedelic, or Krautrock if you like. Nothing more and nothing less. More rocking than other, more electronic Kraut's, this is pure stoner's fantasy. This is album that is made by love and dreams that "we want to do something and we will do it, nothing can stop us". This is fun, enjoyment of their, music made for tripping and daydreaming. Bonus tracks are somehow good, but more like good as the rest of album.
Walter Wilhelm Gieseking (5 November 1895 – 26 October 1956) was a German pianist and composer.
An expert in the delicate art of miniature, Walter Gieseking excelled in short evocative pieces in which his technical mastery and unique sensitivity worked wonders. The numerous albums of Lyric Pieces by Edvard Grieg were a constant source of inspiration for him: he recorded some selections on many occasions, and added excerpts to his concert programs with the same enthusiasm. This album includes the complete set recorded at the very end of his life, coupled with some earlier renditions from the 1948 sessions.
The album we have here is interesting, even great at times. It is made up of never before released material which, given Horton’s meager output, makes it important by that count alone. Here is Horton doing a spirited instrumental on Big Walter’s Boogie, then steaming in with Hard Hearted Woman, his rough-edged voice and the solid beat exactly what you’d hear in raucous blues clubs on Chicago’s southside, the band trying to overpower a hard-drinking audience.
There are a number of other songs you’re going to like, and you’ll like Walter Horton, something he never seemed to understand. He was oddly unbelieving in himself, despite being held in such high esteem by his contemporaries and by hordes of European rock stars of the sixties and seventies, who were themselves worshipped, but knelt in awe of this quiet, gentle man from Mississippi…