Walton Petrova
Liya Petrova, Adam Laloum, Royal Philharmonic Orchestra & Duncan Ward - Momentum [1]: Walton, Respighi (2023) Music
Posted by delpotro at May 16, 2023
![Liya Petrova, Adam Laloum, Royal Philharmonic Orchestra & Duncan Ward - Momentum [1]: Walton, Respighi (2023)](https://pixhost.icu/avaxhome/e7/40/009e40e7_medium.jpg)
Liya Petrova, Adam Laloum, Royal Philharmonic Orchestra & Duncan Ward - Momentum [1]: Walton, Respighi (2023)
WEB FLAC (tracks) - 274 Mb | MP3 CBR 320 kbps - 145 Mb | Digital booklet | 01:00:20
Classical | Label: Mirare
WEB FLAC (tracks) - 274 Mb | MP3 CBR 320 kbps - 145 Mb | Digital booklet | 01:00:20
Classical | Label: Mirare
Liya Petrova presents here the first instalment of a double diptych, featuring two rarely recorded works: Walton’s Violin Concerto (1938) with a prestigious British orchestra, the Royal Philharmonic Orchestra conducted by Duncan Ward, and Respighi’s Violin Sonata (1917) with her regular keyboard partner Adam Laloum. The shimmering harmonic palette and the vigorously phrased lyricism of these two works respond almost instinctively to each other and make them a natural coupling.
Liya Petrova, Adam Laloum, Royal Philharmonic Orchestra & Duncan Ward - Momentum [1]: Walton, Respighi (2023) [24/96] Vinyl & HR
Posted by delpotro at May 16, 2023
Liya Petrova, Adam Laloum, Royal Philharmonic Orchestra & Duncan Ward - Momentum [1]: Walton, Respighi (2023)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 60:20 minutes | 1,1 GB
Classical | Label: Mirare, Official Digital Download
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 60:20 minutes | 1,1 GB
Classical | Label: Mirare, Official Digital Download
Liya Petrova presents here the first instalment of a double diptych, featuring two rarely recorded works: Walton’s Violin Concerto (1938) with a prestigious British orchestra, the Royal Philharmonic Orchestra conducted by Duncan Ward, and Respighi’s Violin Sonata (1917) with her regular keyboard partner Adam Laloum. The shimmering harmonic palette and the vigorously phrased lyricism of these two works respond almost instinctively to each other and make them a natural coupling.