From way back in 2002 Club des Belugas has become one of the leading Nu-Jazz bands in Europe, most probably in the world. Now theypresent their 8th studio album featuring a ton of women power! This fantastic and outstanding album shows another side of Club des Belugas music, which is revealed by its distinctive and original cover artwork style. Less Jazz and Latin, and more Electronics, Guitars and Trip-hop elements!
Taking 2 years to produce in their new state of the Art studio, Club des Belugas takes us, the listener on the next journey into the future sounds of Nu-Jazz and Electro…
Harlequin’s Patchwork is the debut EP from Brighton outfit Wax Machine, and it’s an ambitious collection of alternative tunes that feel as if they’ve strayed from the pages of Lewis Carroll’s Alice’s Adventures In Wonderland. The four-track release waxes and wanes (as the track names state) through changes in tempo and duration in true avant-garde style, demonstrating the varied musical talents that exist within the Wax Machine…
Both C.P.E. Bach and Franz Benda were composers who enjoyed the favour of the court of Frederick the Great and who developed a highly individual and lasting style of music in the monarch's service. Though ‘Old Fritz’ demanded works in the pleasing galant style for his almost daily music sessions from his court musicians, Franz Benda succeeded in humouring the king without stooping to compromise quality. His three concertos for flute seem to have been tailor-made for Frederick II; in the galant style, yet full of sensitivity and profound emotion.
After two stylistically diverse anthologies - In Motion and Renewal - the United Strings of Europe and their director Julian Azkoul have chosen to devote their latest project to a single composer: Pyotr Ilyich Tchaikovsky. They open with the composer's Serenade, a tribute to Mozart's divertimentos, but infused with Tchaikovsky's characteristic pathos and melancholy. It is one of his most popular works, with the especially beloved Waltz as it's second movement, and a finale featuring Russian folk songs. The other works included on this recording are arrangements tailor-made for the ensemble by Julian Azkoul.
Robert Jan Meyer also started his own compilation series: "Science Fiction Jazz 1-12 (Vol. 1 at the same time, was the beginning of the "Mole Listening Pearls"- Label) and "Batucada 1-3". He compiled the double CD "Blue Note Weekend" for the renowned jazz label "Blue Note" and two more samplers on the Japanese market.
A very enjoyable compilation of downtempo, nu-jazz, lounge tunes from the grands of the genre - "Wax Tailor", "Club des Belugas", "Parov Stelar" and the likes.
ASM’s debut full-length album ‘Platypus Funk’ was allegedly created by the 3 young migratory Platypi Green-T, FP, and Fade near a lazy stream in a forest where it’s always summer in high school. Having slipped into the tributary off the mainstream by accident, the Platypi soon began indulging in the surrounding greenery and floating through the peaceful waters, spending their nights jamming with the jazzed-out local Echidna population, and they decided to stick around. After excavating a crate of dusty records stacked with roots reggae, rare soul and raw funk from the muddy river banks, the Platypi soon got to work building a recording nest from whatever flotsam came their way. After two sun-drenched years, they sent a wooden cassette of their recordings downstream, in the hopes that others would stumble across it and join their tranquil commune. What was discovered on the tape marked ‘Platypus Funk’ was a pure manifestation of the ASM Platypus vibe: rhyme-flipping nerdery, deep funk grooves, soulful horn-lines and neck-snapping boom-bap drums.
The features list reads as a testament to the inspirations and companions that have encountered the ASM Platypi on their path. They include Dj Vadim (BBE Music), Sadat X (Brand Nubian), Wildchild (Stones Throw), Kid Kanevil (Firstword), Bonobo (Tru-Thoughts) and Mr Mattic (Wax Tailor crew).