Wayne Shorter Speak no Devil

Wayne Shorter - Adam's Apple (1967/2013) [Official Digital Download 24-bit/192kHz]

Wayne Shorter - Adam's Apple (1967/2013)
FLAC (tracks) 24-bit/192 kHz | Time - 41:19 minutes | 1,35 GB
FLAC (tracks) 24-bit/96 kHz | Time - 41:19 minutes | 814 MB
Studio Master, Official Digital Download | Artwork: Front cover

On "Adam’s Apple", Wayne Shorter leads an all-star rhythm section, which features drummer Joe Chambers, pianist Herbie Hancock and bassist Reggie Workman. This 1966 session finds Shorter at the peak of his career, with his saxophone soaring from start to finish. The album showcases one of his best known compositions, “Footprints”. Other standouts include “El Gaucho” and the title-track. The album remains one of music’s greatest masterpieces.
Wayne Shorter - JuJu (King Records Japan) Vinyl rip in 24 Bit/96 Khz + CD-format

Wayne Shorter - JuJu (1964)
Vinyl rip in 24-bit/96kHz –> 16-bit/44kHz | FLAC (Tracks) , artworks | Stereo | 923 Mb, 274 Mb | 5% RAR Recovery
Jazz, Hard-bop, Post Bop | Filesonic + FilePost
Blue Note BST-84182 - King Records Japan (1978)

One of the most exciting and innovative voices in modem jazz, Wayne Shorter was in his final weeks with Art Blakey's Jazz Messengers before joining Miles Davis when he recorded this exceptional album with John Coltrane's Rolls Royce rhythm section. His angular improvisations and unique compositions take a left turn at every opportunity, but Shorter makes it all work magnificently. Includes two alternate takes.
VA - Astell&Kern MQS Blue Note 75th Anniversary Collection: Box Set 75CDs (2014)

VA - Astell&Kern MQS Blue Note 75th Anniversary Collection: Box Set 75CDs (2014)
Blues, Jazz, Bop, Ragtime, Big Band, Dixieland | MP3 CBR 320 kbps | 7,34 Gb | Artwork 120 Mb
Label: Blue Note Records | Release Year: 2014

Astell&Kern, the leading hi res portable music player that boasts studio sound quality, has announced a special package partnership with Blue Note Records to commemorate the record company's 75th anniversary in the world of Jazz and Blues. 75 legendary Blue Note jazz albums that have been remastered in the Hi-Res digital format. Especially, five Blue Note albums make their exclusive hi-res audio debuts with this release: Art Blakey & The Jazz Messengers' Mosaic, Tina Brooks' True Blue, Don Cherry's Complete Communion, Andrew Hill's Point Of Departure, and Bobby Hutcherson's Components.

Wayne Shorter - Adam´s Apple (1963)  Music

Posted by melloman at April 4, 2008
Wayne Shorter - Adam´s Apple (1963)

Wayne Shorter - Adam´s Apple (1963)
APE (separated files) | EAC + Monkey Audio | 280 MB
Recorded 1966, Released on The Rudy Van Gelder Edition (Blue Note) 2003
Genre: Jazz

Amongst Wayne Shorter's consistently excellent Blue Note recordings of the mid to late '60's, Speak No Evil gets the nod from most critics as the best record of the period, but I have always preferred the stripped down quartet sessions of Juju and this wonderful album. Joining Shorter (tenor sax only, no soprano) on this disc are Herbie Hancock on piano, Reggie Workman on bass and Joe Chambers on drums. This session followed the classic Blue Note blueprint of the period, mixing the blues and ballads of hard bop with some of the emerging freedom of the period. There's some burning saxophone on the driving title track, abstract balladering of "501 Blues" and the epic soon-to-be-standard "Footprints" which would go on to be one of the most memorable jazz compositions of the post-war period.

Wayne Shorter - Wayning Moments (1962)  Music

Posted by TmanHome at Feb. 28, 2017
Wayne Shorter - Wayning Moments (1962)

Wayne Shorter - Wayning Moments (1962)
Jazz, Hard Bop | MP3 320 kbps CBR | 62 min | 149 MB
Label: Koch Jazz | Rel:1962

The liner notes, the originals of which are included with this reissue, reflect that "this is not experimental jazz." It isn't. It is finely performed mainstream jazz of the era in which it was made. While this recording does not equal the quality of the sessions to be recorded by Shorter later in the decade for Blue Note, it is pleasantly played bop. Shorter's tenor saxophone shows a conservative side, to be sure, and a young Freddie Hubbard hardly takes any chances. Still, the rhythm section anchored by pianist Eddie Higgins and including bassist Jymie Merritt and drummer Marshall Thompson, keeps a solid beat and the results are pleasant enough…

VA - Blue Spirits: 85 Years of Blue Note Records (2024)  Music

Posted by delpotro at Aug. 29, 2024
VA - Blue Spirits: 85 Years of Blue Note Records (2024)

VA - Blue Spirits: 85 Years of Blue Note Records (2024)
WEB FLAC (tracks) - 790 Mb | MP3 CBR 320 kbps - 321 Mb | 02:19:21
Jazz | Label: Blue Note Records

85 years ago on January 6, 1939, a German-Jewish immigrant and passionate Jazz fan named Alfred Lion produced his first recording session in New York City founding what would go on to become the most iconic and longest-running Jazz label in the world. For 85 years Blue Note Records has represented The Finest In Jazz, tracing the entire history of the music from Hot Jazz, Boogie Woogie, and Swing, through Bebop, Hard Bop, Post-Bop, Soul Jazz, Avant-Garde, and Fusion, and — after being relaunched by Bruce Lundvall in 1984 — has remained the leading label dedicated to documenting today’s vibrant and creatively thriving Jazz scene under the leadership of current President Don Was, who took the helm in 2012.
VA - Blue Spirits: 85 Years of Blue Note Records (2024)

VA - Blue Spirits: 85 Years of Blue Note Records (2024)
WEB FLAC (tracks) - 790 Mb | MP3 CBR 320 kbps - 321 Mb | 02:19:21
Jazz | Label: Blue Note Records

85 years ago on January 6, 1939, a German-Jewish immigrant and passionate Jazz fan named Alfred Lion produced his first recording session in New York City founding what would go on to become the most iconic and longest-running Jazz label in the world. For 85 years Blue Note Records has represented The Finest In Jazz, tracing the entire history of the music from Hot Jazz, Boogie Woogie, and Swing, through Bebop, Hard Bop, Post-Bop, Soul Jazz, Avant-Garde, and Fusion, and — after being relaunched by Bruce Lundvall in 1984 — has remained the leading label dedicated to documenting today’s vibrant and creatively thriving Jazz scene under the leadership of current President Don Was, who took the helm in 2012.
Carlos Santana & Wayne Shorter - Live At The Montreaux Jazz Festival 1988

Carlos Santana & Wayne Shorter - Live At The Montreaux Jazz Festival 1988
MP3 @ 190-320 | 145 MB | Cover
Genre: Rock-Jazz

Rock guitarist Carlos Santana and jazz saxophonist Wayne Shorter were each on tour back in 1987. The two pals happened to run into one another when their tour schedules crossed one night in Atlanta. On a whim, Santana suggested that they start a rumor that the two of them were forming their own band. With a wink and a nod, Shorter agreed that it sounded like fun. Some rumor. A few months later, the two set out on a 26 date tour of the US and Europe. On July 14, 1988 Santana and Shorter took the stage at the Montreux Jazz Festival in Switzerland.
Mirth Co-Liberation Project - Mirth Co-Liberation Project, Pt. 1: Wayne Shorter (2019)

Mirth Co-Liberation Project - Mirth Co-Liberation Project, Pt. 1: Wayne Shorter (2019)
WEB FLAC (tracks) - 393 MB | Tracks: 6 | 61:58 min
Style: Jazz | Label: Mirth Co-Liberation Project

The Mirth Co-Liberation Project brings the spirit of old jazz records into today, starting with a tribute to Wayne Shorter, featuring some of the most creative musicians in the jazz scene.

Wayne Shorter - Beyond The Sound Barrier 2005  Music

Posted by micaus11 at Dec. 30, 2008
Wayne Shorter - Beyond The Sound Barrier   2005

Wayne Shorter - Beyond The Sound Barrier 2005
MP3 @ 193-320 | 88 MB | Cover
Genre: Jazz

Since his early days with Miles Davis, Wayne Shorter has continually pushed the envelope. On this live quartet outing, Shorter continues on his quest for musical innovation: All eight tracks on BEYOND THE SOUND BARRIER are exciting, spontaneous, and lively. Further, the taut ensemble plays well off of each other as they ebb and flow, build, climax, and dissipate. This album contains no jazz standards or common song forms. It also avoids round-robin improvisations. In fact, there are really no individual solos heard here.