we Are Bob

This album is the second of a series of jazz-funk classics (along with One, Three and BJ4). Released in 1975, this album charted at number two on the Jazz Album Charts. The track "Take Me to the Mardi Gras" is one of the most widely used tracks in hip-hop breakbeat samples.

Amnesty International commemorates its 50th anniversary with the release of an album featuring the cream of the world’s music talent covering Bob Dylan songs, with contributions from a huge variety of artists including Adele, Patti Smith, Pete Townshend, Ke$ha, The Gaslight Anthem, Sting, Jackson Browne, Elvis Costello, Sinéad O’Connor, Kris Kristofferson, Bad Religion, Marianne Faithfull, My Chemical Romance, Bryan Ferry, Pete Seeger and many more. Entitled Chimes of Freedom: Songs of Bob Dylan the album features 73 tracks on four CDs.

Eclectic singer, songwriter, and social activist, the one-time Boomtown Rats leader became a progressive force in the 1980s. Great Songs of Indifference: The Anthology 1986-2001 brings together 4 solo albums: Deep in the Heart of Nowhere, the Vegetarians of Love, the Happy Club and Sex, Age and Death, with a wealth of bonus material, some previously unreleased.

Now We Are Six is the sixth studio album from seminal British folk band Steeleye Span. Following on from a run of albums which solidified them as the premier UK folk outfit, Six bolstered the band's increasing rock sound further. Nigel Pegrum was added as full-time drummer, and Jethro Tull's Ian Anderson brought in to assist with production, on a record which also features a guest spot from one David Bowie, playing saxophone on the last number. To celebrate the 50th anniversary of Now We Are Six, the album has been newly remastered and available on vinyl for the first time in 40 years. Featuring the original printed inner lyric sleeve and an additional insert with new words from Maddy Prior, Peter Knight, Rick Kemp, Nigel Pegrum and Jethro Tull's Ian Anderson. Remastered and cut from the original master tape transfers by Phil Kinrade at AIR Mastering.

Now We Are Six is the sixth studio album from seminal British folk band Steeleye Span. Following on from a run of albums which solidified them as the premier UK folk outfit, Six bolstered the band's increasing rock sound further. Nigel Pegrum was added as full-time drummer, and Jethro Tull's Ian Anderson brought in to assist with production, on a record which also features a guest spot from one David Bowie, playing saxophone on the last number. To celebrate the 50th anniversary of Now We Are Six, the album has been newly remastered and available on vinyl for the first time in 40 years. Featuring the original printed inner lyric sleeve and an additional insert with new words from Maddy Prior, Peter Knight, Rick Kemp, Nigel Pegrum and Jethro Tull's Ian Anderson. Remastered and cut from the original master tape transfers by Phil Kinrade at AIR Mastering.

2012 four CD collection. To compliment his incredibly popular radio series we are proud to offer the second in the series Cover to Cover: The Originals. This set brings together a collection of the original versions of classics that Bob Dylan has covered either on stage or on record with a full discography of when where and why. 109 classic tracks.

The sibling vocal group behind the exemplary togetherness anthem "We Are Family" (1979), a chart-topping, platinum-certified, Grammy-nominated mainstream breakthrough, Sister Sledge reached their commercial peak during the disco era but had been recording since the early '70s, and have remained active in the following decades. The versatile Sledges ably covered Jackson 5-style pop-R&B, Philly soul, funk, and disco before they teamed up with Chic's Nile Rodgers and Bernard Edwards to achieve mainstream fame with the title track off We Are Family, a Top Five pop album with additional dancefloor classics such as "He's the Greatest Dancer" and "Lost in Music." By the end of the '80s, Sister Sledge had also produced their own material and worked with the likes of Narada Michael Walden and George Duke, and topped the U.K. pop chart with the bubbly "Frankie" (1985), produced by Rodgers. They've recorded infrequently since then and have continued to perform into the 2020s with varying lineups.