The true birth of thrash. On Kill 'Em All, Metallica fuses the intricate riffing of New Wave of British Heavy Metal bands like Judas Priest, Iron Maiden, and Diamond Head with the velocity of Motörhead and hardcore punk…
The latest from experimental musician David Tibet is an arduous but rewarding album, the feeling of listening to a preacher behind the pulpit, or a doomsayer on the soapbox.
Metallica's debut album Kill 'Em All has been remastered and will now be available as a deluxe boxset including 4LP/5CD/1DVD and includes a book with 64 pages. New essays, never-before-seen phtos, ticket stubs, tracking sheets and a Metallica patchThe true birth of thrash…
Cardboard sleeve (mini LP) reissue from Pharoah Sander featurign 24-bit/96kHz remastering and original LP replica Cardboard sleeve (mini LP) jacket design. Recorded near the end of Pharoah Sanders' tenure at Impulse, Love in Us All consists of two extended compositions. Together, they serve as an aural representation of the way Sanders' music polarized the jazz world at the time. Like many of his "New Thing" peers, the saxophonist sought the sound world beyond the constraints of conventional harmony. This often translated into music played at the grating, far reaches of his instrument. "To John" finds Sanders in this territory.
Guitarist Ritchie Blackmore resurrected the beloved hard rock band Rainbow in 1995 for the album Stranger in Us All. The new lineup – technically named Ritchie Blackmore's Rainbow – was not an all-star who's who of hard rock like the groundbreaking original version with vocalist Ronnie James Dio or the radio-targeted AOR version with vocalist Joe Lynn Turner. All incarnations of Rainbow, even the mid-period lineup fronted by bellower Graham Bonnet, are generally revered in hard rock circles. In its own way, Rainbow's music was just as influential as the music Blackmore made during his years in Deep Purple…
Guitarist Ritchie Blackmore resurrected the beloved hard rock band Rainbow in 1995 for the album Stranger in Us All. The new lineup – technically named Ritchie Blackmore's Rainbow – was not an all-star who's who of hard rock like the groundbreaking original version with vocalist Ronnie James Dio or the radio-targeted AOR version with vocalist Joe Lynn Turner. All incarnations of Rainbow, even the mid-period lineup fronted by bellower Graham Bonnet, are generally revered in hard rock circles. In its own way, Rainbow's music was just as influential as the music Blackmore made during his years in Deep Purple. Stranger in Us All feels like Blackmore's shot-in-the-dark, semi-inspired effort to reconnect with his hard rock fan base.
Steve Tibbetts is a difficult artist to categorize. While the German-based ECM was (at one time) the home of jazz guitarists Pat Metheny, John Abercrombie and Ralph Towner, Tibbetts' music seems more a product of Jimi Hendrix and Frank Zappa than Jim Hall or Wes Montgomery. Throw into the mix the wordless vocals on some tracks and the use of tabla and synthesizer, and Tibbetts and the other musicians on this CD produce some powerful music–not to mention amazing guitar pyrotechnics from Tibbetts himself.