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The name Mark Baker may not be immediately recognizable to many, but for liner note/album credits junkies, it signifies top shelf AOR songwriting. Whether it be anthems or ballads, a Mark Baker song means memorable hooks and a big chorus. Mark Baker is the man behind the iconic Signal "Loud & Clear" album as well as many other songs, including tracks for .38 Special, Paris Black, Triumph and Boulevard. He was also the main co-writer on House Of Lords' acclaimed "Demons Down" record, rejoining as co-writer on some of the band's more recent albums too.

McCoy Tyner - Things Ain't What They Used To Be (1990) {Blue Note CDP 7935982 rec 1989}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 268 Mb | MP3 @320 -> 158 Mb
Full Artwork @ 300 dpi (png) -> 15 Mb | 5% repair rar
© 1990 Blue Note / Capitol-EMI | CDP 7 93598 2
Jazz / Post Bop / Modal Jazz / Piano

For this Blue Note project, pianist McCoy Tyner is heard solo on eight numbers and also has two duets with tenor-saxophonist George Adams and three with guitarist John Scofield; Tyner dominates throughout. A standards-oriented set (there are only four songs by the leader including "Blues On The Corner" and the near-standard "Song For My Lady") but the pianist makes every melody sound like a fresh original through his distinctive chord voicings and harmonies. This is a strong effort by one of the best.

Classic rock giants, The Guess Who, are back with their first new studio album in over 20 years! Features what could be the most rokin’ line-up of the band since its ’60s heyday, anchored by original GW drummer Garry Peterson along with vocalist Derek Sharp, superstar bassist Rudy Sarzo (Quiet Riot/Ozzy), guitarist Will Evankovich, and multi-instrumentalist Leonard Shaw! Fans have been rocking out with this line-up since 2008, and the band has plans to keep those audiences on their feet with a heavy touring schedule starting in mid September and carrying through the end of 2018! Release date - september 14, 2018.

The last of the pianoless quartet albums that Gerry Mulligan recorded in the 1950s is one of the best, featuring the complementary trumpet of Art Farmer, bassist Bill Crow, and drummer Dave Bailey along with the baritonist/leader. This recording is a little skimpy on playing time but makes every moment count. Virtually every selection is memorable, with "What Is There to Say," "Just in Time," "Festive Minor," "My Funny Valentine," and "Utter Chaos" being the high points. Highly recommended both to Mulligan collectors and to jazz listeners who are just discovering the great baritonist.