Whitehead

McFadden & Whitehead is the debut album of the R&B duo of the same name. The album peaked at #5 on the R&B charts and #23 on the Billboard 200. The lead single "Ain't No Stoppin' Us Now" topped the R&B charts, was #10 on the disco charts, and peaked at #13 on the Hot 100. The song "I've Been Pushed Aside" peaked at #73 R&B.

Legendary filmmaker Peter Whitehead was at the heart of Swinging London, chronicling the youth explosion, the burgeoning popular music scene and the counterculture of the 1960s. In March the National Film Theatre hosted a comprehensive retrospective of his work. This DVD features two of his films; Wholly Communion (1965) and Benefit of the Doubt (1967), coupled with a new interview with Peter and additional rare footage. With over three hours of material, Peter Whitehead and the Sixties is a fascinating document of the radical, experimental, literary and theatrical scenes of 60s London.

In Process and Reality and other works, Alfred North Whitehead struggled to come to terms with the impact the new science of quantum mechanics would have on metaphysics.

Mondo, in association with Masterworks and Bend Studios, is proud to present Nathan Whiteheads score to the Playstation game DAYS GONE.
Nathan Whitehead's beautiful, meditative yet occasionally terrifying score to DAYS GONE is one of our favorite pieces of video game music of 2019. A tragic slice of Americana, thrilling adventure, mixed with traditional horror elements. It is equal parts pulse pounding, heartbreaking and horrifying at the same time.

Her big fat tone says it all, as Annie Whitehead leads her band through nine largely danceable originals. Much of it has a Caribbean feel, a light touch that possibly reflects the input of co-composer Ian Maidman, whose guitar, bass, clavinet, and programming appears on most of the tracks. Whitehead sticks to plush melodic lines and solos that reflect her highly accessible, tuneful style. The overdubbing of the trombones effectively adds depth. This is not the best example of the trombonist's jazz blowing, but overall, she appears in a positive light. There are so few examples of fusion-based trombone on disk, but Whitehead shows that the trombone can be just as convincing in that genre as other horns. The recording is all in good fun, and while nothing here is supremely sophisticated, it all fits well. Whitehead is the most accomplished soloist in the group; the presence of keyboardist Jasper van't Hof is welcome, but his contributions are modest by comparison.