Thanks to in-depth research into original manuscripts, Jordi Savall reveals the hidden beauties of Irish and Scottish music from 17th to 19th Century. The transcription from fiddle to baroque viol sounds so obvious that everyone realizes the closeness of traditional and ancient repertoires at once. Some of the pieces are irresistibly vivid and virtuosic, some are more melancholic-but all of them deserve the renasissance Jordi Savall offers them in this collection, where he partners with harp virtuoso Andrew Lawrence-King.
From the title, one might expect that this release by Norwegian Baroque violinist Bjarte Eike is an exploration of the well-trodden theme of melancholy in British music in the late 16th and early 17th centuries. In fact it is that, but it's much more besides. The Image of Melancholy is an experiment with the form in at least three ways, and it should appeal greatly to listeners of a speculative frame of mind. First, Eike and his small Barokksolistene ensemble expand the historical picture in both space and time, mixing traditional music from Scandinavia and beyond (even from Slovakia) with compositions by Dowland, Holborne, and Byrd, and adding Baroque pieces such as one of Biber's Mystery Sonatas that are not precisely "melancholy" but certainly play off the concept in arresting ways.