A stunning new release of John Williams’ classic film scores, newly recorded with the London Symphony Orchestra under the baton of Gavin Greenaway, featuring a previously unheard edition for solo cello of ‘Schindler’s List’ – a world premiere.
1951 was a breakthrough year for Hank Williams. He had a string of moderate country hits already under his belt, but the release that year of his version of an old jazz age novelty tune called "Lovesick Blues," originally recorded in 1922 by Elsie Clark and given a country arrangement in 1939 by Rex Griffin (the template for Williams' version), suddenly made him a big star. It also meant his touring schedule increased, but he still found time that year to slip into Nashville and prerecord shows for the Mother's Best Flour Company.
Pianist James Williams learned a great deal from his stint with Art Blakey's Jazz Messengers and when he emerged from the group he was perfectly qualified to be a bandleader. His Sunnyside session features such up-and-coming players as guitarist Kevin Eubanks, the reeds of Billy Pierce and Bill Easley, bassist Ray Drummond, and drummer Tony Reedus on a set of original material…
While the first two Magical Trio sessions teamed pianist James Williams with classic veterans (bassist Ray Brown and either Art Blakey or Elvin Jones on drums), this outing matches him with a couple of talented younger musicians: bassist Charnett Moffett and drummer Jeff Watts. But, despite the change in personnel, the advanced straightahead music is not all that different from the earlier dates…
Toronto alt-country garage rockers the Sadies began sessions for Night & Day with legendary punk-blues wildman Andre Williams in 2008. At that time, Williams was in his seventies and dealing with a plethora of legal troubles as well as pretty heavy substance abuse issues. Eventually the sessions were put on hold while he worked through his legal problems and cleaned up. A few years later, the two factions reconvened to finish work on the album, and the difference in Williams' demeanor and state of being was, as they say, "night and day." This album continues the team-up that began with 1999's collaborative Red Dirt album, and casts Williams' dead center as a greasy narrator or unfiltered barker, humbly backed by the Sadies' respectable but comparatively squeaky clean, garagey (occasionally fiddle-driven) country-blues.
Game-changing multi-instrumentalist Kamaal Williams is the latest big name to record a mix for DJ-Kicks’ prestigious series. Due for release on November 8th, it features four of his own exclusive tracks, and illuminates some of the influences that spurred him to become such a prominent, vital artist.