This recording has a huge advantage over most of its rivals for the attention of Tallis listeners: the wonderful acoustics of Winchester Cathedral. In this magnificent space, the soaring lines and resplendent harmonies of Tallis's greatest masterpieces find sympathetic resonance, resulting in a heightened dramatic presence that takes the music beyond earthly confines. Of course, beyond the exceptional quality of the writing, credit must go to the phenomenal men and boys of Winchester Cathedral Choir. Where, even in England, does one find trebles who sing with more assuredness, musicality, and beauty of tone? With a repertoire including "In ieiunio et fletu," "Salvator mundi," "In manus tuas," "The Lamentations of Jeremiah," "O nata lux," and the unbelievable 40-part motet "Spem in alium," this is the Tallis disc to own if you're buying only one.
Several new versions of Tye’s Missa Euge bone have appeared since the Winchester Cathedral Choir first released this disc of Tye’s Cathedral music in 1991. However, and notwithstanding Jeremy Summerly’s splendid Naxos offering with the Oxford Camerata, in my view none matches the Winchester recording for sheer vitality and sonic brilliance.
Russell County, Virginia-based 49 Winchester is following up their 2022 breakthrough hit, Fortune Favors The Bold, with their latest album, Leavin’ This Holler. Since their last release in 2022 the band has mined success across the globe by playing multiple sold out tours in the US as well as a sold out run of arena concerts opening for Luke Combs across Europe. Crowds have celebrated and supported this band across the globe and the band’s hard working ways continue to help build their devoted following. Leavin’ This Holler is a soulful anthem of liberation and renewal. The album narrates a journey of breaking free from the chains of the past to pursue happiness and freedom. With a resolute spirit and a clean washed heart, 49 Winchester embraces change and sets out on a quest for new heights. Fortune has favored these bold boys and fueled by determination and the promise of a bright future, Leavin’ This Holler is a powerful ode to resilience and the pursuit of personal fulfillment.
Russell County, Virginia-based 49 Winchester is following up their 2022 breakthrough hit, Fortune Favors The Bold, with their latest album, Leavin’ This Holler. Since their last release in 2022 the band has mined success across the globe by playing multiple sold out tours in the US as well as a sold out run of arena concerts opening for Luke Combs across Europe. Crowds have celebrated and supported this band across the globe and the band’s hard working ways continue to help build their devoted following. Leavin’ This Holler is a soulful anthem of liberation and renewal. The album narrates a journey of breaking free from the chains of the past to pursue happiness and freedom. With a resolute spirit and a clean washed heart, 49 Winchester embraces change and sets out on a quest for new heights. Fortune has favored these bold boys and fueled by determination and the promise of a bright future, Leavin’ This Holler is a powerful ode to resilience and the pursuit of personal fulfillment.
Vibraphonist Lem Winchester died on January 13, 1961, after an accident with a gun. Although he did not stick around long enough to carve out his own original voice (remaining influenced to a large degree by Milt Jackson), Winchester did record several worthy albums during his final couple of years. This set, which has been reissued on CD in the OJC series, was one of his last and best. Winchester - in a quintet with flutist Frank Wess, pianist Hank Jones, bassist Eddie Jones, and drummer Gus Johnson - is in swinging and creative form on three of his originals, Oliver Nelson's "The Meetin'," and the standard "Like Someone in Love." A bonus cut from October 14, 1960, finds Winchester playing "Lid Flippin'" with a quintet that features organist Johnny "Hammond" Smith. Overall this CD is one of Lem Winchester's definitive sets.
These 2 discs offer the music of 3 different choirs and 4 different times periods. CD 1 features the Choir of King's College, Cambridge,performing 4 Coronation Anthems: Zadok the priest; My heart is inditing; Let my hand be strengthened and The King shall rejoice. Recording Date:August,1963.
One of the best songwriters of the 1960s and early '70s, with an unassuming style that managed to sound like Fred Neil, J.J. Cale, Jim Croce, Randy Newman, Leonard Cohen, and early Tom Waits by turns (and sometimes all at once), Jesse Winchester would have been as well known and regarded as any of these had history not swept him from Louisiana, where he was born, to Montreal, Canada, where he took up residence in exile (like thousands of other young men at the time) to avoid the Vietnam War. Winchester was working gigs as a lounge pianist when his draft notice came, and while he joined a couple of local bands after his flight to Canada, his life as a musician had been torn apart.