In 1977, with England still in the throes of the punk explosion, and art-rock becoming a decidedly unfashionable commodity, the longstanding progressive-rock institution Yes was making some of the most inventive and energetic music of its career on Going for the One. The album–which marked the return of star keyboardist Rick Wakeman to the band–features the FM hit "Wondrous Stories," one of frontman Jon Anderson's most limpid acoustic ballads. Elsewhere, the propulsive title track and the hyperactive "Parallels" find the band flirting with dissonance, belying Yes's image as a hidebound dinosaur. Elsewhere, the 16-minute "Awaken" ranks with the band's most ambitious long-form extravaganzas. ~ Scott Schinder
Kicking off with the swagger and machismo of one of the quintessential 70's anthems, "Hot Legs", FOOT LOOSE AND FANCY FREE is a blistering joyride, a swaggering period piece that,like all of Rod's best work, immerses itself in the prevalent style of the time– by 1977, funk-tinged rock was all therage, and FOOT LOOSE is a carnival of wah-wah guitars ("You're Insane"), epic arrangements ("You Just Keep Me Hanging On"), and unabashed earnestness (the nostalgic and confessional "I Was Only Joking".) …
After losing founding vocalist David Byron in 1976, many hard rock fans thought Uriah Heep had reached the end of the line. However, the group bounced back in 1977 with Firefly, an album that pursued a stripped-down sound harking back to the group's early-'70s successes. They also boasted a new singer in John Lawton, a vocalist who had made his fame working with artsy German hard rockers Lucifer's Friend…
Going for the One is perhaps the most overlooked item in the Yes catalog. It marked Rick Wakeman's return to the band after a three-year absence, and also a return to shorter song forms after the experimentalism of Close to the Edge, Tales from Topographic Oceans, and Relayer…
The Sons of Champlin is an American rock band, formed in the late 1960s and from Marin County in the San Francisco-Bay area. They are fronted by vocalist/keyboardist/guitarist Bill Champlin, who was also a member of the rock band Chicago. They brought to the late 60's music scene in the Bay Area a soulful sound built around a horn section, sophisticated arrangements, philosophical themes, Bill Champlin's songwriting and blue-eyed soul singing, and Terry Haggerty's jazz-based guitar. They are one of the 1960s San Francisco bands, along with Jefferson Airplane, The Grateful Dead and Moby Grape…
I took a bit of a nap on Hamiet! Not all his material is maniac, so I think I was deterred by a straighter outing in an earlier examination, as I reverse-devour in depth the Avant-Jazz lineage with unthwarted esurience. It’s always majorly thrilling to find “someone else” & start cruising through their releases & history. The Bluiett epiphany came about with probably the best inadvertent recommendation ever from an anonymous NY Jazz body who told me he had to stop taking lessons from Bluiett cos’ he was “too crazy”! So a Southern saxophonist playing Off-Raod squall, with a reputation for being “too crazy”?…could it possibly be better? & thus I pick out this album, Resolution from 1977 that pleasingly is still in print.