The Dead End Kids got their first big break when they opened for the Bay City Rollers during a British tour in 1976, and the two bands were likely a good match on their first and only album, 1977's Breakout, the Dead End Kids play calculated, commercial pop music aimed at the younger side of the teen market, following the same approach that had made the Rollers a massive success. While the Dead End Kids lack the same "guilty pleasure" appeal as the Rollers all these year later, Breakout at least shows that the group were good at what they were doing.
This February, some 44 years after the original line-up of Ultravox! supported their Island Records label mates, Eddie And The Hot Rods live at the Rainbow Theatre, Finsbury Park, London, Island/UMC will celebrate with a series of video and audio drops recorded during the 1977 concert. This will premiere at 8pm on Monday, February 15 with a video drop of “I Came Back Here To Meet You.” From then on HD restored videos and tracks will be delivered weekly until a full track EP release on March 19.
Quasar Lux Symphoniae performs a refined music with elaborated and successful arrangements and subtle melodic inspiration in the compositions. The Dead Dream is the first lysergic trip of Quasar L.S. (before Lux Symphoniae's majestic works), originally dated 1977, recorded again in 1995 because the original tapes were lost, with absolute respect of the original recordings. A psychedelic pearl in a concept album. A visionary and dramatic story too. Not only the psychodrama of Roxy, maybe a soundtrack and an epitaph for the death of the lysergic and hippy dream.
If Day at the Races was a sleek, streamlined album, its 1977 successor, News of the World, was its polar opposite, an explosion of styles that didn't seem to hold to any particular center. It's front-loaded with two of Queen's biggest anthems - the stomping, stadium-filling chant "We Will Rock You" and its triumphant companion, "We Are the Champions" - which are quickly followed by the ferocious "Sheer Heart Attack," a frenzied rocker that hits harder than anything on the album that shares its name (a remarkable achievement in itself). Three songs, three quick shifts in mood, but that's hardly the end of it. As the News rolls on, you're treated to the arch, campy crooning of "My Melancholy Blues," a shticky blues shuffle in "Sleeping on the Sidewalk," and breezy Latin rhythms on "Who Needs You"…
If Day at the Races was a sleek, streamlined album, its 1977 successor, News of the World, was its polar opposite, an explosion of styles that didn't seem to hold to any particular center. It's front-loaded with two of Queen's biggest anthems – the stomping, stadium-filling chant "We Will Rock You" and its triumphant companion, "We Are the Champions" – which are quickly followed by the ferocious "Sheer Heart Attack," a frenzied rocker that hits harder than anything on the album that shares its name (a remarkable achievement in itself).
"MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!
Dave’s Picks Volume 29 is sourced from master reels taped by the great Betty Cantor-Jackson. The Grateful Dead opened the concert with the newly composed “Terrapin Station,” which would soon take up the entire second side of its namesake LP released later in July. In addition, the band fit the debut of the instant classic “Estimated Prophet” into their first show of 1977. Other highlights include a pretty “They Love Each Other,” impressive “Help On The Way” > “Slipknot!” > “Franklin’s Tower” and standout sequence of “Eyes Of The World” > “Dancin’ In The Streets.” Plus, Dave’s Picks Volume 29 will contain everything in the archives from the next night’s show in Santa Barbara, which is the tail end of the second “Terrapin Station” as well as “Morning Dew,” “Sugar Magnolia” and “Johnny B. Goode.”
Beyond Description (1973-1989) is a companion set to 2001's 12-disc box The Golden Road (1965-1973), which collected all of the Grateful Dead's albums for Warner Bros, adding bonus tracks to each album, along with a double-disc collection of early pre-Warner recordings called "Birth of the Dead" for good measure…