Gary Numan experienced renewed interest during the late '90s due to a popular remake of "Cars" by electro metallists Fear Factory. As a result, Numan reappeared back from the dead - releasing new albums, launching tours, and winning over new fans. The time was right to issue a brand new Numan compilation (despite the fact that countless career overviews had surfaced throughout the years), as the 29-track double disc Exposure: The Best of Gary Numan 1977-2002 appeared in shops in 2002. Despite what its title would like you to believe, there are quite a few holes here - the majority of the tracks come from Numan's early work. Most Numan fans would agree that his finest work came from this era (circa the late '70s/early '80s)…
When the studio of ever-groundbreaking Krautrock pioneers Can was sold to Germany's Rock n' Pop Museum, the entire space was disassembled and moved, and in the process, reels and reels of poorly marked and seemingly forgotten tapes were found buried amid other detritus in the studio. These tapes held over 30 hours of unreleased music from Can spanning a nine-year period and including work from both vocalists Malcolm Mooney and Damo Suzuki. Edited down to just over three hours, The Lost Tapes still includes an extensive amount of unheard studio, live, and soundtrack work from the band, and at its heights is as revelatory and brilliant as the best material on their well-loved albums. Early vocalist Malcolm Mooney left the band under doctor's orders after suffering a nervous breakdown connected with heavy paranoia, and his unhinged vocals characterize collections of early Can recordings like Delay…
When it was released in 1977, News of the World seemed at loggerheads with a music world that had moved beyond Queen's operatic pomprock and on to punk. In fact, the album was more in step with the punk scene than the output of most superstar acts of the time, as it contains Roger Taylor's furious "Sheer Heart Attack" and Freddie Mercury's lean, brutal "Get Down, Make Love." Of course, News is famous for its opening medley, "We Will Rock You/We Are the Champions." Attend any sports event in the Western world, and you'll hear the former. If it's a championship match and the home team wins, you'll hear the latter. That's a tribute to the staying power of the music, but News of the World offers proof that, even as Queen maintained their position as rock & roll royalty, they continued to evolve and react to the times.
Live and Let Live was 10cc's first live album, released in the Autumn of 1977. It was recorded at the Odeon Theatre in London on 18th, 19th and 20th June 1977 and the Apollo Theatre, Manchester on the 16th and 17th July 1977…
2009 release that compiles two albums from the Blues great on one disc: King Albert (1977) and New Orleans Heat (1978). The king of modern electric soul-blues, Albert King joined Tomato Records in 1976 following his spell with the Stax label and this CD contains two of his very best releases from that era. The splendid King Albert marked an exciting return to form with a fine Motor City blues band that handles everything from B B King's big hit 'You Upset Me Baby' to Little Sonny Willis's exciting 'Love Shock' and a supremely soulful 'Good Time Charlie'. Released the following year, the very different Funk-tinged New Orleans Heat was overseen by legendary R&B producer Allen Toussaint at his Sea-Saint Studios. The cream of the Crescent City session musicians give the songs a real gumbo flavor
The J. Geils Band's chart profile had been steadily slipping since the Top Ten success of their third record, Bloodshot. Even the awe-inspiring live album Blow Your Face Out, the band's near-maniacal dedication to the live stage, and their nonstop presence on the FM dial couldn't get them a hit album……
The Queen's sixth studio album "News of the World" was released in 1977, which has gone four times platinum in the United States, and twice in the UK. The album contained many songs tailor-made for live performance, including two of rock's most recognisable anthems, "We Will Rock You" and the rock ballad "We Are the Champions", both of which became enduring international sports anthems, and the latter reached number four in the United States.