Women Cukor

Three short stories come to the screen, each focused on a man and a woman. The first is set in the 1940s, the other two in the 1920s. In "The Man in a Brooks Brothers Suit," a businessman of about 40 plies a younger Leftist women with liquor aboard a train. They spend the night together, and he decides he's in love with her. She plays along. In "Dusk Before Fireworks," Kit, a youthful flapper, arrives at Hoby's classy flat intent on an evening of passion. A constantly ringing telephone interrupts each embrace. In "Hills Like White Elephants," a couple traveling in Spain discuss her pregnancy: he wants things to stay as they are, she sees that notion as a fiction.

This documentary features intimate interviews with Madeleine Albright, Gloria Allred, Laurie Anderson, Sara Blakely, Margaret Cho, Edie Falco, Elizabeth Holmes, Betsey Johnson, Alicia Keys, Aimee Mullins, Nancy Pelosi, Rosie Perez, Shonda Rhimes, Wendy Williams and Nia Wordlaw.

Pepas's lover, Iván, leaves her and she tries to contact him to find out why he's left. In her search for Iván, she confronts his wife and son, who are as clueless as she is. Meanwhile; Candela, her friend, is afraid the police might be looking for her because of her ex-boyfriend, a muslim terrorist, and his criminal activities. As the plot develops, it is revealed that everyone's lives are more intertwined than they could have ever expected.

Cherry Healey uncovers the secrets surrounding female health issues, joining a variety of women who share their stories, discover what help is available and embark on treatment.

In the Wild West days of early filmmaking—before Hollywood hardened into an assembly-line behemoth and boys’ club—talented women worked regularly as writers, producers, and directors, instrumental in shaping the very language of cinema as we know it. Nevertheless, figures like Alice Guy Blaché and Lois Weber are known today primarily by aficionados, and artists like Nell Shipman, Grace Cunard, and Marion E. Wong remain woefully obscure. Bringing together dozens of essential new restorations, this series spotlights the daring, innovative, and trailblazing work of the first female filmmakers and restores their centrality to the creation of cinema itself.

Twenty-three-year-old Judith Wanga grew up in London but was born thousands of miles away in the Democratic Republic of Congo. Sent away by her parents to live in Britain as a small child, she's now returning to Congo - two decades later - to meet them for the first time. She wants to understand the childhood she missed and the country she was forced to leave. After reuniting with her parents in the capital, Kinshasa, Jude heads east to an area of the country that's been devastated by war.

In a TV first, Dispatches has spent a year filming inside a women's refuge, following the stories of women who are fleeing violent partners - and are now trying to rebuild their lives.

Seven women are the only survivors of an Apache attack on a wagon train. They must cross the desert on foot to escape the Indians who are hunting them.

Friends and collaborators including Ross Noble, Alan Davies, Meera Syal, Morwenna Banks, Jimmy Mulville and Ricky Grover celebrate the former psychiatric nurse's stellar career in comedy. It was the late 1980s when Jo turned to stand-up, braving the male-dominated alternative comedy circuit. Voted Stand Up of the Year at the 1995 British Comedy Awards, her fearless wit made her a darling of the panel and quiz show circuit. The new millennium brought new comedy gravitas as she wrote and starred in nursing series Getting On and Damned, about social workers.

Documentary which tells the story of the thousands of Caribbean and African women who answered the call 70 years ago to come to the UK to save the then ailing health service. It's a tale of a struggle to overcome racism, their fight for career progression and their battle for national recognition.Black.Nurses.